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Art Nouveau: New Style for a New Century

Seminar
264654
Art Nouveau: New Style for a New Century
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Art Nouveau: New Style for a New Century

Weekend All-Day Lecture/Seminar

Saturday, November 15, 2025 - 10:00 a.m. to 4:00 p.m. ET
Code: 1M2419
Location:
This online program is presented on Zoom.
Earn 1 elective credit toward your World Art History certificate
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$100
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$125
Gen. Admission
Materials for this program

Noted for its organic, sinuous, and seductive styles, the Art Nouveau movement in modern art and design—called the New Style—developed out of the arts and crafts and aesthetic movements. Centered and celebrated in France at the very turn of the last century, it quickly spread to England and America.

This richly illustrated seminar led by art historian Bonita Billman explores Art Nouveau’s origins, its identifying characteristics, and chief creators. Though it flowered for only a decade or so, the style has had a long-lasting influence and popularity.

Billman, who is retired from the department of art and art history at Georgetown University, lectures for a variety of organizations in the mid-Atlantic region.

10–11:15 a.m.  Origins and Characteristics of Art Nouveau

Art Nouveau was promoted by art dealer Siegfried Bing and had its most spectacular showing at the 1900 Exposition Universelle in Paris, where great names in design like Tiffany exhibited their work. Bing showcased Art Nouveau in his own pavilion of concept rooms at the exhibition.

11:30 a.m.–12:45 p.m.  Art Nouveau in France

France excelled in the New Style. Rene Lalique, later famous for his glass, was a designer of sinuous mixed-media jewelry. Majorelle and Gaillard made furniture, and Mucha and De Feure painted.

12:45–1:15 p.m.  Break

1:15–2:30 p.m.  The New Style in Britain

Like Bing, Arthur Lasenby Liberty, a dealer in Asian objets d’art, championed the New Style. Many conservative Britons rejected it for its perceived decadence and “Frenchness,” but his influential London store Liberty and Co. became synonymous with the popular style. In Scotland, Charles Rennie Mackintosh and his wife Margaret MacDonald created their own unique interpretation of art nouveau.

2:45–4 p.m. The New Style in America

Ironically, the artist most associated with Art Nouveau was not French, but American. Louis Comfort Tiffany, who trained as a painter and worked as an interior designer, turned his attention to glass in the late 1880s. His Tiffany studio produced stained glass, glass mosaics, and most especially, art glass.

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