All upcoming World History programs

The Galleria dell'Accademia di Firenze, or Gallery of the Academy of Florence, is best known as the home of Michelangelo’s sculpture “David.” However, the museum is also home to several other important sculptures by Michelangelo as well as a large collection of paintings by Florentine artists. Italian Renaissance art expert Rocky Ruggiero highlights this small but mighty museum that owns four of Michelangelo’s “Slave” sculptures, Pontormo’s Venus and Cupid, and Maestro della Maddalena’s St. Mary Magdalene and Eight Stories of Her Life. (World Art History Certificate elective, 1/2 credit)

At its peak, the Roman empire extended from Britain to the Sahara Desert, from the Atlantic Ocean to the Euphrates River. Yet in 476, the last western Roman emperor was deposed. In a 4-part series, historian David Gwynn analyzes the dramatic events which shaped the decline and fall of the Roman empire in the west, exploring the transformation from the ancient to the medieval world that laid the foundations for modern Europe. This session focuses on the impact of Goths, Huns, and Vandals.

For approximately five centuries during the second millennium B.C.E., the Egyptian city of Thebes served as the backdrop for the construction of a bewildering array of religious temples, memorial complexes, and royal tombs. Historian Justin M. Jacobs introduces the chief cultural, religious, and political themes of the monuments of ancient Thebes: the Karnak and Luxor temples of the East Bank, the memorial temples of the West Bank, and the necropolis in the Valley of the Kings.

The mostly forgotten conflict between the United States and Mexico in the 1840s transformed the nation. It triggered a major political crisis over the issue of slavery that pushed it closer to civil war. It also led to the Gold Rush of 1849, an event that had a major impact on America’s economy as well as its political culture. Historian Edward T. O’Donnell explores these consequences, as well as the details of the war itself.

The last few decades have seen an explosion of interest in female painters, sculptors, architects, textile artists, and performance artists. Art historian Nancy G. Heller examines the progress made by women artists in Europe and the U.S. since the end of the Second World War. She discusses the relationship of art made by late 20th- and 21st-century women to the work of their male counterparts, placing it within a broader socioeconomic, political, and aesthetic context—and considers the obstacles that remain for women artists. (World Art History Certificate core course, 1 credit)

At its peak, the Roman empire extended from Britain to the Sahara Desert, from the Atlantic Ocean to the Euphrates River. Yet in 476, the last western Roman emperor was deposed. In a 4-part series, historian David Gwynn analyzes the dramatic events which shaped the decline and fall of the Roman empire in the west, exploring the transformation from the ancient to the medieval world that laid the foundations for modern Europe. This session focuses on fifth-century historical events.

As one of the most significant categories of painting in Western art, portraiture offers a window into both individual identities and broader social and cultural values. In a 4-part series, art historian Aneta Georgievska-Shine looks closely at a variety of aspects of portraiture in historical contexts, providing a deeper understanding of the significance of this pictorial genre. (World Art History Certificate elective, 1 credit)

Within a few years of the Norman Conquest of 1066, a beautiful and intricate tapestry appeared that documented in remarkable detail the events of the Battle of Hastings. Scholars still study the Bayeux Tapestry for its expansive cultural value in understanding the complexity of the Norman–Saxon transition that carried within it the seeds of the Hundred Years War three centuries later. Historian Cheryl White examines its lasting impact as a work of art and historical documentary and how the Bayeux Tapestry speaks to the identity of a people, a kingdom, and ultimately, the role of art in reinforcing the dominant view by which scholars interpret the past.

The career of 15th-century painter Giovanni Bellini extended across a period that saw the introduction of new artistic mediums and technologies, including that of oil painting, which allowed him to achieve extraordinary effects in the rendering of color and light. Art historian Sophia D’Addio charts the development of Bellini’s style through works ranging from small devotional panels to majestic multi-figure altarpieces to narrative works that showcase lush, verdant landscapes—all of which are characterized by an air of refinement and serenity. (World Art History Certificate elective, 1/2 credit)

The South of France, with its glorious light and varied vistas, has long been a magnet for plein-air painters. Art historian Bonita Billman investigates the inspiration that places like Avignon, Arles, Aix-en-Provence, St. Remy, St. Tropez, and Nice provided for the brilliantly colored works produced by 19th and early 20th-century painters. (World Art History Certificate elective, 1 credit)