All upcoming World History programs

The Mediterranean island of Malta has a rich past that reaches back some 7,000 years—a culture that thrived well before the pyramids of Egypt. Art historian Joseph Paul Cassar, who was born on Malta, surveys its geography, history, and heritage as well as its vibrant modern and contemporary art. (World Art History Certificate elective, 1 credit)

Located just outside of modern-day Mexico City, the ruins of Teotihuacan serve as a reminder that dense urban civilizations filled with grandiose monuments to wealth and power were not the exclusive preserve of Eurasian empires. Historian Justin M. Jacobs places the iconic pyramids and temple complexes of Teotihuacan into the history of the settlement of the Americas and development of distinct forms of agriculture and cultural traditions.

Complementing the exhibit "Women Artists from Antwerp to Amsterdam, 1600–1750" at the National Museum of Women in the Arts, a lecture by art historian Aneta Georgievska-Shine highlights Dutch and Flemish women’s contributions to 17th- and early 18th-century art. From renowned painters to lesser-known printmakers and sculptors, women shaped the artistic culture of the Low Countries. Despite social constraints, many built successful careers, proving their creative worth in a male-dominated world. (World Art History Certificate elective, 1/2 credit)

Few national cinemas offer as compelling a mirror to social transformation as Italy’s. In the decades following World War II, Italian filmmakers shaped a legacy of innovation, reflection, and artistry that still resonates on the global stage. In a four-part series, art historian Jennie Hirsh explores pivotal moments in Italian cinema­, from the birth of Neorealism to the bold experimentation of contemporary filmmakers, and how they captured—and questioned—their time. This session focuses on Italian filmmaking from the 1990s to today.

Throughout the history of Western music, men have claimed most of the spotlight and accolades as performers, composers, teachers, impresarios, patrons, and instrument makers. Less attention has been paid to the scores of brilliant creative women who played these roles—along with many others—and who were relegated to the less brightly lit corners of the musical word. In a four-session series, speaker and concert pianist Rachel Franklin brings these women and their often-untold stories to life, showcasing them with live piano performances and historical and contemporary media clips.

The Veneto comprises the capital city of Venice, built on the waters of the lagoon, and many mainland cities including Padua, Vicenza, and Verona, all of which are important centers for art, culture, and history. Art historian Sophia D’Addio explores the region’s cities and countryside, its elegant villas (including those designed by Renaissance architect Andrea Palladio) and its thriving wine industry. (World Art History Certificate elective, 1/2 credit)

The Scuola Grande di San Rocco in Venice, situated next to the Church of San Rocco, is the seat of the religious society named for San Rocco established in 1478. Over the next decade, the scuola became the richest in the city, so its members decided to construct a monumental building and hire Tintoretto to decorate it. Italian Renaissance art expert Rocky Ruggiero showcases several of the scuola’s more than 60 paintings, many done by Tintoretto and his workshop. (World Art History Certificate elective, 1/2 credit)

On October 31, 1517, Martin Luther famously (and perhaps apocryphally) nailed his 95 Theses condemning papal indulgences to the Wittenberg Castle Church door, giving the Protestant Reformation its official starting date. But the true story of reform is more complicated, and Luther the man more controversial. Historian Amy Leonard of Georgetown University reviews the history and historiography of the Protestant Reformation and Luther’s place within it.

Andrea Palladio’s villas, palaces, and churches encompass the mathematical harmony, classical inspiration, and humanist ideals that defined the Renaissance in Italy. His architectural language crossed eras and oceans, inspiring everything from English country estates to American civic buildings and even the White House. Art historian Elaine Ruffolo explores Palladio’s life, works, and philosophy, revealing how a former stonemason from Vicenza shaped the foundations of Western architecture. (World Art History Certificate elective, 1/2 credit)

Augustine of Hippo (354–430) harnessed the philosophical heritage of antiquity to express a new Christian philosophy, one that would have a huge impact—and shape how it would be seen for two millennia. Augustine scholar Scott MacDonald of Cornell University explores some of the concepts of faith, good and evil, human nature, and the search for the divine as reflected in Augustine’s major works.