By the end of the 1950s, New York Abstract Expressionism had begun to wane. Painters adopted the large scale and rich palette of artists like Barnett Newman and Mark Rothko but with new processes and goals in mind. Many of these painters lived in Washington, D.C., where their originality earned them the name Washington Color School. Morris Louis, Kenneth Noland, Gene Davis, and Paul Reed, among others, were important innovators in new working methods based on staining unprimed canvas. Art historian David Gariff examines this golden age in the history of modern American art. (World Art History Certificate elective, 1/2 credit)