All upcoming Lectures

Frank Capra’s It’s a Wonderful Life is a beloved Christmas classic. Yet when the film was released in 1946, it was a box office flop, won no Academy Awards, and was largely forgotten—until it was rediscovered through endless airings on local TV stations beginning in the 1970s. Media historian Brian Rose examines the movie’s fascinating story.

Described by Cicero more than 2,000 years ago as a promiscuous, husband-murdering harlot, Clodia of Rome led a powerful, complex life. Classicist Douglas Boin argues that Cicero lied about her to protect his own property and interests. Drawing on neglected sources and his study of Roman lives, Boin recounts events from Clodia’s privileged childhood and describes how she engaged in her family’s tradition of egalitarian activism.

Philadelphia Art Museum curator David Barquist highlights the Arts and Crafts movement by focusing on Philadelphia artists who sought to correct what they saw as the poor quality of factory production by embracing the British Arts and Crafts movement's principles of handwork, simplicity in design, and what they called “truth to materials.” Despite their shared interest in Arts and Crafts principles, the artists created individual responses that were shaped in part by the size and organization of their workshops. (World Art History Certificate elective, ½ credit)

Observational evidence of unprecedented weather extremes is mounting from all over the globe. While linking such events directly with human influence on the climate is not easy, atmospheric scientist Edward Graham examines how atmospheric modeling scenarios make it possible to assess how the frequency and intensity of an extreme weather event may have been influenced by human effect—and if such events are on the rise.

The great organ in Notre-Dame Cathedral in Paris is as magnificent as it is historically significant. Though preserved from the flames and water during the fire that engulfed the cathedral's roof in 2019, the instrument was taken apart, then carefully reconstructed and tuned. Olivier Latry, titular organist of Notre-Dame Cathedral, and Bach expert Thierry van Bastelaer discuss the history of the organ, the factors that make it unique, and the impact of the cathedral’s restoration on its sounds.

Ponder the possibilities that the contemplative season of Advent provides inspired by Henry Ossawa Tanner’s painting The Annunciation and a poem by Wendell Berry. Designed for writers of all levels, and for the curious, the workshop led by Mary Hall Surface invites you to look outwardly at art and to look inwardly through writing. These reflections can become creative fertile ground for memoir, poetry, and more. 

During the early years of the Great Depression, Americans experienced economic decline on a scale that was without precedent in the nation’s history. Historian Edward O’Donnell explores the causes and impact of this era in an examination of the key aspects of President Roosevelt’s New Deal, including the philosophical and political ideas behind it.

In 1734, the Duke of Parma (and soon-to-be King of Naples) had most of the extensive art collection established by his family moved from Parma to Naples. Filippo Borbone, who became Duke of Parma in 1748, was determined to hold on to what works were left. The collection eventually would become the National Gallery of Parma. Italian Renaissance art expert Rocky Ruggiero delves into the museum’s artworks, including important pieces by Correggio as well as La Scapigliata by da Vinci. (World Art History Certificate elective, 1/2 credit)

The artistic ideals of James Abbott McNeill Whistler were informed by the Aesthetic movement and its emphasis on refinement, subtlety, and belief in the autonomy of art. His admiration for Asian art prompted experimentation with abstract color and composition. He also created visual arrangements and color harmonies that correspond to those in music. Art historian Aneta Georgievska Shine looks at how these ideals were expressed in Whistler’s works. (World Art History Certificate elective, 1/2 credit)

As the Mexican Revolution drew to a close in 1920, Mexico’s new democratic government commissioned public murals depicting what the nation could look like. They were painted by many artists, most notably José Clemente Orozco, Diego Rivera, and David Alfaro Siqueiros. Soon works by the three artists and others influenced by them appeared outside Mexico, too. Using the imagery and influences of works painted by Orozco, Siqueiros, and Rivera in the U.S., Walters Art Museum curator Ellen Hoobler explores how the ancient Americas and modern politics intertwined in 1930s and ‘40s public murals in the United States. (World Art History Certificate elective, 1/2 credit)