In the 18th century, the British Royal Navy impressed, or forced, tens of thousands of seamen into a lifetime of service—a practice that drew resistance across the Empire. Historian Denver Brunsman examines the high human cost that enabled England’s maritime superiority.

In this members-only series led by veteran arts educator Roberta Gasbarre, go behind the scenes and into the working lives of some of the most intriguing people from all across the Smithsonian and Washington’s worlds of culture, science, and education. This program features Fredie Adelman, director, Smithsonian Associates.

In the early 20th century, Albert C. Barnes drew on expert guidance and his own fortune to assemble a dazzling collection of primarily French post-impressionist works that reflect his interest in the creators of his time. Bill Perthes, director of adult education at the Barnes Foundation in Philadelphia, offers a comprehensive look at how a collector’s unique vision created an equally distinctive institution rooted in its founder’s belief that art has the power to improve minds and transform lives. (World Art History Certificate elective, 1/2 credit)

In the years after World War II, television blossomed as a creative medium, with live dramatic shows like “Kraft Television Theater” and “Playhouse 90” showcasing the talents of soon-to-be-famous performers, directors, and writers. But this golden age was a short one, as was New York City’s dominance as a center of production. Brian Rose, professor emeritus at Fordham University, explores the forces behind the demise.

Memorable autobiographies are powerful evocations not just of a person, but a time and place, vividly transporting us inside the world of another to experience it as they did. In a 3-session series, documentary filmmaker and writer Sara Lukinson looks at a remarkable life recounted by Andre Aciman in this session.