Shakespeare’s history plays are criticized by many today for their “unfair” or “non-historical” portrayals of some of England’s most famous figures. In a day-long seminar Tudor historian Carol Ann Lloyd-Stanger dives into the world of the Henrys, Richards, and other rulers to examine these plays’ intent; how their author used English history and his imagination to tell stories that met his political and economic goals; and the ways these works continue to affect our understanding of history.
In the decades preceding World War II, professional architecture schools enrolled increasing numbers of women, but career success did not come easily. Architectural historians Mary Anne Hunting and Kevin D. Murphy tell the stories of the resilient, resourceful women who surmounted barriers of sexism, racism, and classism to take on crucial roles in the establishment and growth of Modernism across the United States.
The last 30 years have seen an abundance of striking archaeological discoveries in Rome and Pompeii. C. Brian Rose, a professor of Mediterranean archaeology at the University of Pennsylvania, examines how the appearance of these cities changed during the Republic and early Empire and how their residents prepared for religious festivals, dinner parties, and gladiatorial games. He also reviews how the explorations of Pompeii and nearby Herculaneum have had a lasting impact on European and American culture.
Whether deciding on lunch or a career, changing our routines or other people’s minds, it can feel difficult to make the decisions that align with the things we care about. Neuroscientist Emily Falk, author of What We Value: The Neuroscience of Choice and Change, explains how we can work strategically with our brains to make more fulfilling choices by connecting our decisions with our core values, which can make us less defensive, broaden our curiosity through different perspectives, and spark innovation.
Pointillism, the painting form based on tiny dots of color used by Georges Seurat and Paul Signac, found only a few followers because of its slow and fastidious method of precision work. It was, however, embraced at times by painters including the Cubists, Matisse, and contemporary artists such as Chuck Close. Art historian Joseph P. Cassar surveys the development of Pointillism as a technique and artistic movement. (World Art History Certificate elective, 1/2 credit)
Watching television used to be a fairly simple enterprise: You turned on the set, selected one of 500 channels, and enjoyed your program. Now, more and more viewers are canceling cable television, preferring to watch online-only channels. An entire generation of younger viewers has given up on the TV set in favor of their laptops and phones. Drawing on video clips, media historian Brian Rose explains why the old days of simply “watching TV” are fast disappearing.
Artists in Britain have delved into all major genres of painting, including historical subjects, landscapes, still life, and portraiture. Art historian Bonita Billman examines the major artists and movements in British painting, the social and cultural context in which their works were created, and the pivotal roles these painters have played from the Tudor period to the present. (World Art History Certificate elective, 1 credit)
The figure of David has long captivated artists and audiences, embodying faith, heroism, and the potential of the human spirit. From the Middle Ages to the Baroque era, his image undergoes a fascinating transformation—from symbolic, stylized depictions to a dynamic, humanized hero. Art historian Elaine Ruffolo examines key works by masters such as Donatello, Michelangelo, and Bernini, showcasing how each reimagines David and reflects centuries of artistic innovation and cultural change. (World Art History Certificate elective, 1/2 credit)
