All upcoming Seminars

Gabriel García Márquez’s One Hundred Years of Solitude consistently makes the lists of the “best novels of the 20th century.” With Joseph Luzzi, professor of literature at Bard College, explore the novel’s depiction of the colonial experience, its use of magical realism, the role of the supernatural in the narrative, and the qualities that give the book’s language its beauty and inventiveness.

Art historian Sophia D’Addio of Columbia University follows up her 2023 exploration of Italian cathedrals and basilicas in several major cities by going off the beaten path. In a splendidly illustrated full-day seminar, she focuses on four sites of great importance located in the regions of Umbria, Emilia-Romagna, and Le Marche: the churches of Assisi, Orvieto, Parma, and Loreto, which represent some of Italy’s greatest repositories of sacred art. (World Art History Certificate elective, 1 credit)

Henry James’ The Portrait of a Lady from 1880–81 is considered one of the greatest works in American literature, though its American-born author, Henry James, lived for long stretches in Europe, particularly England. Joseph Luzzi, professor of literature at Bard College, examines James’ gorgeous use of language, his profound understanding of human psychology, and his keen insights into differences in national and cultural traditions.

Florence and Venice were both rich, confident, and magnificently beautiful cities—powerhouses of Renaissance creativity. Yet they were vastly different in their character and artistic, intellectual, and political aspirations. Art historian Nigel McGilchrist explores the tale of these two cities and the artists they nurtured, in particular the contrasting geniuses of Leonardo da Vinci, Michelangelo, and Titian. (World Art History Certificate elective, 1 credit)

Ever since its origins in an ancient civilization along the Indus River, the complex culture of South Asia has given rise to some of the world’s most remarkable artistic creations. Robert DeCaroli, professor in the department of history and art history at George Mason University, highlights the artistic traditions and historical changes in the Indian subcontinent from the earliest archaeological evidence to the onset of colonialism. (World Art History Certificate core course, 1 credit)

Were all of Egypt’s kings and queens guided by the divine wisdom and justice that their devoted subjects believed them to possess? Not quite, especially when their reigns were marked by civil wars, a pyramid complex, mass graves of forced laborers, and political sabotage by PR offensive. Egyptologist Jacquelyn Williamson draws from the most recent archaeological evidence to examine four of Egypt’s most influential rulers and the impact­—and darker sides—of their reigns.

Fyodor Dostoevsky’s Crime and Punishment frequently makes the lists of greatest novels ever written. A masterful combination of philosophical and psychological inquiry, the novel explores the turmoil of the antihero Raskolnikov as he plots and commits a grotesque crime. Literature professor Joseph Luzzi discusses the storytelling techniques and historical, cultural, and intellectual contexts that inform Dostoevsky’s literary vision.

Historian Jennifer Paxton traces how perceptions and knowledge of the Celtic peoples have changed over the centuries, and how their legacies affected culture and politics in the nations and regions linked by language and traditions commonly known as the Celtic Fringe—as well as in the wider world. As our understanding of these peoples continues to evolve, Paxton examines the impact of new ideas on our contemporary fascination with all things Celtic.