Galvanized by the post-World War II decolonization of African nations and the civil rights, Black power, anti-war, and feminist and womanist movements, African-descendant cultural producers in the United States began claiming a Black aesthetic that emerged from the lived experience of Black people. The Black Arts Movement permeated rural and urban areas, drawing on blues, jazz, Black folk culture, and Black idiomatic expressions. Spend a day with Michele L. Simms-Burton, scholar of African American and Africana studies, to explore the Black aesthetics and Black pride that define this arts movement and examine its producers of everything from music to literature to art. (World Art History Certificate elective, 1/2 credit)