Sandro Botticelli, one of the most celebrated artists of the Italian Renaissance, emerged from the vibrant and turbulent milieu of late 15th-century Florence. Born Alessandro di Mariano di Vanni Filipepi around 1445, Botticelli's work exemplifies the rich tapestry of the period’s art, characterized by its revival of classical themes and exploration of humanism. His masterpieces such as The Birth of Venus and Primavera showcase his remarkable mastery of line, form, and mythological narrative, captivating viewers for centuries.
Botticelli’s career flourished under the patronage of the Medici family, whose influence is woven throughout much of his work that blends classical themes with contemporary Florentine ideals. However, his trajectory was significantly impacted by the dramatic events of the day, notably the Bonfire of the Vanities in 1497. Ignited by the fervent sermons of Savonarola, it saw countless artworks condemned as immoral and destroyed, marking a turning point in Botticelli's life and work.
Art historian Elaine Ruffolo traces Botticelli’s remarkable journey from his early triumphs as a Medici favorite to his later years shaped by religious zeal and spiritual introspection. She also explores how Botticelli's art is both a reflection of his technical mastery and a window into the cultural and intellectual currents of his time.
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