Skip to main content

Secrets and Symbols in Art: The Iconography of Allegory and Personification of Ideas

Lecture
265722
Secrets and Symbols in Art: The Iconography of Allegory and Personification of Ideas
0.00
This program will be available for sale to the general public on December 7, 2025.
Want to register before then? Become a member today, or if you are already a member, log in to register for this program.

Secrets and Symbols in Art: The Iconography of Allegory and Personification of Ideas

Afternoon Lecture/Seminar

Monday, February 2, 2026 - 12:00 p.m. to 2:00 p.m. ET
Code: 1H0897
Location:
This online program is presented on Zoom.
Earn ½ elective credit toward your World Art History certificate
Select your Registration
$30
Member
$45
Gen. Admission
Powered by Zoom

Allegory with Venus and Cupid (detail) by Angelo Bronzino, 1545

The study of iconography—how symbols and allegories function in art—offers a way to understand masterpieces that have puzzled scholars for generations. In the third program of a series, art historian Noah Charney explores the use of allegory and the personification of ideas. When figures represent abstract concepts—such as justice, envy, or time—an artwork enters the world of allegory.

Charney breaks down how allegories were constructed by artists, sometimes following conventions like those in Cesare Ripa’s book of symbols, Iconologia, and sometimes entirely original. He compares Titian’s relatively straightforward Allegory of Prudence with a brilliant and baffling painting by Bronzino, Allegory with Venus and Cupid, a complex riddle whose layers of eroticism, disease, deceit, and time have long fascinated scholars.

Additional Secret and Symbols in Art Program

General Information