Henry James’ The Portrait of a Lady from 1880–81 is considered one of the greatest works in American literature, though its American-born author, Henry James, lived for long stretches in Europe, particularly England. Joseph Luzzi, professor of literature at Bard College, offers a fresh look at this enduring classic by examining James’ gorgeous use of language, his profound understanding of human psychology, and his keen insights into differences in national and cultural traditions. Luzzi discusses James’ gift for literary characterization, especially with his protagonist, Isabel Archer, who is one of the most compelling personalities in literature. He also explains the techniques that make James a revered figure in Western literature whose work continues to enchant readers.
10–11 a.m. Henry James: A Literary and Biographical Exploration
The major aspects of James’ life, with a focus on his dual perspective as an American-born author who spent much of his life in Europe, are considered. Luzzi also discusses the defining elements of James’ writing.
11:15 a.m.–12:15 p.m. Rethinking the Female Voice: Chapters 1–19
While examining the major characters and central conflicts of the book, especially James’ treatment of the female protagonist, Isabel Archer; Luzzi also explains how James uses omniscient narration and other literary techniques to create a powerful aesthetic structure.
12:15–12:45 p.m. Break
12:45–1:45 p.m. Old and New Worlds: Chapters 20–38
Luzzi explores how James contrasts American new-world and European old-world sensibilities. In addition, he analyzes the major male characters in the novel, especially Ralph Touchett, Lord Warburton, Gilbert Osmond, and Caspar Goodwood, in relation to expectations surrounding male identity in the 19th century.
2–3 p.m. Final Thoughts and New Directions: Chapters 39–55
As he analyzes the concluding chapters of the novel, Luzzi highlights how James resolves the complex narrative arc and gives his major characters their final forms. He also explores the impact James had on later writers and the ongoing presence of The Portrait of a Lady in the broader cultural imagination.
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