The Godfather, parts 1 and 2, are often listed as among the greatest films of all time. Together with part 3, these films constitute a powerful cinematic trilogy that explores such key themes as the myth of Italian American culture, the refashioning of the gangster film genre, and the influence of European auteur cinema on the Hollywood studio system. Joseph Luzzi, a literature professor at Bard College who also teaches courses on film and Italian studies, examines the cinematic techniques and themes that give the Godfather films their enduring appeal. He also considers the role this trilogy played in the career of director Francis Ford Coppola.
10–11 a.m. Francis Ford Coppola: The Making of the Godfather and the Creation of a Hollywood Legend
The dramatic events that led to the making of the Godfather films and their relation to other brilliant cinematic works by Coppola.
11:15 a.m.–12:15 p.m. Epic Origins: Godfather, Part One
Luzzi examines the first Godfather film (1972), paying special attention to cinematic techniques and the remarkable acting performances of Marlon Brando and others.
12:15–12:45 p.m. Break
12:45–1:45 p.m. Fathers and Sons: Godfather, Part Two
The focus is on the second Godfather film (1974), especially its use of parallel narratives contrasting the early life of Don Vito Corleone with the rise to power of his ruthless son Michael Corleone.
2–3 p.m. Part Three and Concluding Thoughts
After discussing the final Godfather film (1990), Luzzi provides insights into how and why the trilogy had such an impact worldwide and why he believes it remains essential viewing for cinephiles.
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