Clockwise: "Watson and the Shark" by John Singleton Copley, 1778 (National Gallery of Art); Shaw Memorial by Augustus Saint-Gaudens (Photo: Paul Glenshaw); Auguste Rodin’s The Burghers of Calais,
(Hirshhorn Museum and Sculpture Garden ( Hirshhorn Museum and Sculpture Garden: “150 Works of Art” (1996) by Valerie Fletcher); "The Railway", 1873 by Edouard Manet (National Gallery of Art)
Save when you purchase the Art + History: Evening Encores series!
If you’ve not experienced Paul Glenshaw’s daytime series Art + History, in which he examines great works of art in their historical context, now’s your chance. He reprises four of his most popular lectures in livestreamed evening programs through July and August. In each, he delves into the time of the artist, explores the present they inhabited, and what shaped their vision and creations, bringing the art and their creators to vivid life. Even if you’ve taken part in previous programs, you’ll find new insights in joining Glenshaw for another look at these timeless works.
The Shaw Memorial by Augustus Saint Gaudens
The African American soldiers of the Massachusetts 54th in Augustus Saint-Gaudens' Shaw Memorial stride confidently toward battle for a cause they are willing to die for—freedom. Almost half the members of the Massachusetts 54th, including their white commanding officer, Colonel Robert Gould Shaw, would be killed in the July 1863 attack on Fort Wagner, South Carolina. The original memorial stands in Boston Common, with a plaster version on display at the National Gallery. Saint-Gaudens took great pains to make sure each solider was a portrait. Who were the Massachusetts 54th and Colonel Shaw? What brought them together? How was the Civil War—and these soldiers in particular—being remembered in 1897 when the memorial was unveiled?
Glenshaw is an artist, educator, author, and filmmaker with more than 30 years' experience working across disciplines in the arts, history, and sciences.
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