Commissioned by Pope Julius II to paint the ceiling of the Sistine Chapel, Michelangelo used the most universal artistic language available—the human body in all its configurations. From the spark of life given to Adam and Eve to the Last Judgment, his frescoes blazed a path toward secularism despite the chapel’s religious themes. Art historian Liz Lev examines the evolution of the ceiling of the Sistine Chapel, a work so astounding it changed the course of Western art. (World Art History Certificate elective, 1/2 credit)
Painting was often perceived as a sister art of music, though typically occupying a somewhat lower place in the hierarchy. Nonetheless, throughout the Early Modern era, painters used musical motifs in their works to give their paintings a "voice" and convey a sense of beauty and harmony comparable to those qualities in musical compositions. Art historian Aneta Georgievska-Shine explores this relationship as it evolved between the 15th and the 17th centuries in Italy and Northern Europe. (World Art History Certificate core course, 1 credit)
Men of Irish heritage played crucial roles in fighting the American Revolution. Their numbers included generals, thousands of enlisted men, and even spies—notably Hercules Mulligan, a major character in the musical Hamilton. Historian Richard Bell explores the Revolution from the perspective of the Irish and their descendants in America as he reconstructs the history of English and Irish antagonism; examines the role of Roman Catholic faith in decisions about loyalty and affiliation; and surveys the political and economic impact of the American Revolution on Ireland itself.
Thomas Hobbes, John Locke, and Jean-Jacques Rousseau are three influential philosophers whose ideas have significantly shaped political theory and the understanding of the social contract. In a fall series, join Georgetown professor Joseph Hartman as he explores these thinkers who offered distinct perspectives on the nature of human beings, the origins of political authority, and the formation of societies. This session focuses on Jean-Jacques Rousseau.
Roman Gaul, the area of southern France that today includes Provence, is an important repository of Roman culture, with many works built in Gaul still standing. Art historian Christopher Gregg explores the history and the physical remains of sites, including the Amphitheater of the Three Gauls; a rare watermill; and a remarkably preserved cargo ship; as well as a variety of beautiful sculptures and mosaics. (World Art History Certificate elective, 1/2 credit)
When the doors of Radio City Music Hall opened in 1932, New Yorkers entered a new world: a dazzling Art Deco fantasy of an entertainment palace far removed from the drab realities of the Great Depression. With its Hollywood films and lavish stage shows, “The Showplace of the Nation” has given generations of audiences a place to escape from the everyday and dream. Actor Tim Dolan surveys the history of this iconic theater, sharing its stories, secrets, traditions, and trivia.
New York City in the early decades of the 20th century was a shaping force of America’s national culture. Cultural historian George Scheper explores the impact of the Progressive Era and the subsequent Jazz Age as reflected in the art, literature, and architecture created in the metropolis. (World Art History Certificate elective, 1/2 credit)
Discover the power of reflective writing inspired by visual art guided by the founding instructor of the National Gallery of Art’s Writing Salon, Mary Hall Surface. Step into the Expressionist paintings of the fascinating early 20th-century German artist Gabriele Münter. Slow down, look closely, and reflect as you explore the window as a metaphor for shifting perspectives in our lives.
