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Smithsonian Associates Online Programs

Join us from the comfort of your home as we present individual programs, multi-part courses, and studio arts classes on Zoom, inspired by the Smithsonian's research, collections, and exhibitions.

All upcoming Online programs

Programs 1 to 10 of 143
Friday, April 17, 2026 - 6:00 p.m. to 8:00 p.m. ET

Spend a fascinating Friday evening expanding your knowledge of the world of wine as you sip along with sommelier Erik Segelbaum in a series of delectable adventures. He explores offerings from both sides of South America’s Andes in an immersive program that includes a curated personal tasting kit to enhance the experience.


Saturday, April 18, 2026 - 10:00 a.m. to 1:00 p.m. ET
Online Studio Arts Workshop

If you’ve taken the studio arts class Gyotaku: The Japanese Art of Fish Printing, you are ready to try Hawaiian-style gyotaku. It includes printing in colorful inks and thin acrylics and adding color and texture with watercolor crayons and acrylic media.


Saturday, April 18, 2026 - 12:00 p.m. to 3:00 p.m. ET
Online Studio Arts Workshop

Weave a whimsical fish-shaped pendant in this workshop. Pick up the techniques and learn what materials are needed to add your fish to a necklace or, if you make two fish, create a delightful pair of earrings.


Monday, April 20, 2026 - 6:45 p.m. to 8:15 p.m. ET

Pop culture is populated by plenty of fictional cephalopod and cephalopod-inspired characters, from Squidward of “SpongeBob SquarePants to the heptapod aliens of Arrival. Whether these portrayals accurately represent the biology, anatomy, and behavior of the animals that inspired them is another question. Come find out how quickly Finding Dory’s Hank could regenerate his eighth arm and whether a kraken could really sink a ship as cephalopod expert Danna Staaf proves that truth can be stranger than fiction.


Tuesday, April 21, 2026 - 6:45 p.m. to 8:15 p.m. ET

Smithsonian Associates speaker Paul Glenshaw returns to the Art + History series to look at great works of art in their historical context. This majestic landscape, created in 1868, is Bierstadt’s personal expression of his joyful first sight of the Sierra Nevada and a scene he thoroughly invented. The painting, along with Bierstadt’s many similar works, was a powerful lure for immigrants and settlers drawn by the promise of the American West, yet it also reveals the complicated legacy of Manifest Destiny. (World Art History Certificate elective, 1/2 credit)


Tuesday, April 21, 2026 - 7:00 p.m. to 8:30 p.m. ET

René Lalique, the daring jeweler of Belle Époque Paris, revolutionized adornment by rejecting gemstone traditions and blending metals with enamel, horn, glass, and semi-precious stones. His nature-inspired creations—dragonflies, orchids, and nymphs—elevated jewelry to fine art, embodying Art Nouveau’s union of art and life. Collaborating with Sarah Bernhardt and elite patrons, Lalique gained acclaim at the 1900 Paris Exposition. Art historian Tosca Ruggieri’s illustrated lecture explores his evolution, techniques, patrons, and rarely seen masterpieces. (World Art History Certificate elective, 1/2 credit)


Wednesday, April 22, 2026 - 6:30 p.m. to 7:45 p.m. ET

The recent canonization of Carlo Acutis, who died in 2006 at age 15, demonstrates that the desire to venerate holy people is undimmed in the contemporary Catholic Church, says historian Kate E. Bush. She explores how saints have been made through the centuries, detailing how Catholicism moved from accepting saints by popular acclamation to papal canonization. Even today, though, the devotion of everyday people is the main ingredient needed to make a saint, Bush argues.


Wednesday, April 22, 2026 - 6:45 p.m. to 8:15 p.m. ET

The picture-perfect snowcapped cone of Mount Fuji has attracted Japanese artists and pilgrims for more than a thousand years. Historian Justin M. Jacobs examines the history of human influences on this dormant volcano and its dynamic—and symbolic—role in Japanese history, including the elaborate network of Shinto and Buddhist shrines that that have drawn countless pilgrims from far away.


Thursday, April 23, 2026 - 12:00 p.m. to 1:00 p.m. ET
Online Studio Arts Course

Pull out your sketchbook and pencil to take an artful break as you explore the Smithsonian while drawing objects from vast and fascinating collections.


Thursday, April 23, 2026 - 12:00 p.m. to 1:15 p.m. ET

Through the story of a pebble, paleobiologist Jan Zalasiewicz illuminates a complex history that begins in the farthest reaches of space and continues on Earth with volcanic eruptions, extinct animals and plants, long-vanished oceans, and transformations deep underground. The pebble’s story shows how geologists reveal the Earth’s past by forensic analysis of even the tiniest amounts of mineral matter crammed into a pebble.