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Smithsonian Associates Online Programs

Join us from the comfort of your home as we present individual programs, multi-part courses, and studio arts classes on Zoom, inspired by the Smithsonian's research, collections, and exhibitions.

All upcoming Online programs

Programs 1 to 10 of 148
Thursday, April 16, 2026 - 12:00 p.m. to 1:00 p.m. ET
Online Studio Arts Course

Pull out your sketchbook and pencil to take an artful break as you explore the Smithsonian while drawing objects from vast and fascinating collections.


Thursday, April 16, 2026 - 1:00 p.m. to 4:00 p.m. ET
Online Studio Arts Workshop

Study master illustrators including N.C. Wyeth, Arthur Rackham, Alphonse Mucha, Edmund Dulac, Norman Rockwell, and Beatrix Potter. The aims of this class are to explore the history of these artists and to apply their approaches in a variety of mediums to depict expressive illustrations in a range of genres. (World Art History Certificate elective, 1/2 credit)


Thursday, April 16, 2026 - 6:30 p.m. to 8:30 p.m. ET

President Michael Douglas? President Gene Hackman? President Harrison Ford? Hollywood has long imagined Oval Office leaders, and film historian Max Alvarez guides audiences through nine decades of cinematic presidential portrayals. From failed box office attempts in the 1930s and ’40s, to JFK-era thrillers, Clinton-era dramas, and more complex depictions in “The West Wing,” “House of Cards,” and “VEEP,” Alvarez explores how film and television shaped presidential images. Expect dueling Nixons and LBJs in this lively multimedia lecture.


Thursday, April 16, 2026 - 6:30 p.m. to 8:00 p.m. ET

From ancient times to the present scientists and philosophers have marveled at how such a seemingly abstract discipline as mathematics, which appears to have been a product of human thought, could so perfectly explain the natural world. In a fascinating presentation, astrophysicist Mario Livio explores why mathematics is a powerful lens through which to examine the cosmos.


Thursday, April 16, 2026 - 6:45 p.m. to 8:15 p.m. ET

A quirky 18th-century international dispute over natural history quickly took on political overtones. Thomas Jefferson wanted to refute a French naturalist’s theory that all life in America was degenerate and weak, so he asked that a large dead moose be shipped to France. The theory, however, continued to have scientific, economic, and political implications for 100 years. Evolutionary biologist Lee Alan Dugatkin highlights this fascinating tale.


Friday, April 17, 2026 - 6:00 p.m. to 8:00 p.m. ET

Spend a fascinating Friday evening expanding your knowledge of the world of wine as you sip along with sommelier Erik Segelbaum in a series of delectable adventures. He explores offerings from both sides of South America’s Andes in an immersive program that includes a curated personal tasting kit to enhance the experience.


Saturday, April 18, 2026 - 10:00 a.m. to 1:00 p.m. ET
Online Studio Arts Workshop

If you’ve taken the studio arts class Gyotaku: The Japanese Art of Fish Printing, you are ready to try Hawaiian-style gyotaku. It includes printing in colorful inks and thin acrylics and adding color and texture with watercolor crayons and acrylic media.


Saturday, April 18, 2026 - 12:00 p.m. to 3:00 p.m. ET
Online Studio Arts Workshop

Weave a whimsical fish-shaped pendant in this workshop. Pick up the techniques and learn what materials are needed to add your fish to a necklace or, if you make two fish, create a delightful pair of earrings.


Monday, April 20, 2026 - 6:45 p.m. to 8:15 p.m. ET

Pop culture is populated by plenty of fictional cephalopod and cephalopod-inspired characters, from Squidward of “SpongeBob SquarePants to the heptapod aliens of Arrival. Whether these portrayals accurately represent the biology, anatomy, and behavior of the animals that inspired them is another question. Come find out how quickly Finding Dory’s Hank could regenerate his eighth arm and whether a kraken could really sink a ship as cephalopod expert Danna Staaf proves that truth can be stranger than fiction.


Tuesday, April 21, 2026 - 6:45 p.m. to 8:15 p.m. ET

Smithsonian Associates speaker Paul Glenshaw returns to the Art + History series to look at great works of art in their historical context. This majestic landscape, created in 1868, is Bierstadt’s personal expression of his joyful first sight of the Sierra Nevada and a scene he thoroughly invented. The painting, along with Bierstadt’s many similar works, was a powerful lure for immigrants and settlers drawn by the promise of the American West, yet it also reveals the complicated legacy of Manifest Destiny. (World Art History Certificate elective, 1/2 credit)