Men of Irish heritage played crucial roles in fighting the American Revolution. Their numbers included generals, thousands of enlisted men, and even spies—notably Hercules Mulligan, a major character in the musical Hamilton. Historian Richard Bell explores the Revolution from the perspective of the Irish and their descendants in America as he reconstructs the history of English and Irish antagonism; examines the role of Roman Catholic faith in decisions about loyalty and affiliation; and surveys the political and economic impact of the American Revolution on Ireland itself.
Thomas Hobbes, John Locke, and Jean-Jacques Rousseau are three influential philosophers whose ideas have significantly shaped political theory and the understanding of the social contract. In a fall series, join Georgetown professor Joseph Hartman as he explores these thinkers who offered distinct perspectives on the nature of human beings, the origins of political authority, and the formation of societies. This session focuses on Jean-Jacques Rousseau.
New York City in the early decades of the 20th century was a shaping force of America’s national culture. Cultural historian George Scheper explores the impact of the Progressive Era and the subsequent Jazz Age as reflected in the art, literature, and architecture created in the metropolis. (World Art History Certificate elective, 1/2 credit)
Unlike other great painters of 16th-century Venice such as Titian and Paolo Veronese, Jacopo Tintoretto was born and bred in the lagoon city. A considerable number of his works remain there to this day in the churches, confraternity buildings, and palaces for which they were commissioned. Art historian Sophia D’Addio of Columbia University explores a selection of Tintoretto’s dramatic and expressive sacred works located in such beautiful settings as the Church of the Madonna dell'Orto, the Scuola Grande di San Rocco, and San Giorgio Maggiore. (World Art History Certificate elective, 1/2 credit)
When classicist Michael Ventris deciphered the Linear B script in 1952, he shed light on our understanding of the politics, economy, society, and religion of the world of Late Bronze Age Greece, sometimes referred to as "Mycenaean." Classicist and archaeologist Dimitri Nakassis examines what this writing system and a second still-undeciphered “Minoan” script, Linear A, can tell us about life in the Aegean during the second millennium B.C.E.
Roman Gaul, the area of southern France that today includes Provence, is an important repository of Roman culture, with many works built in Gaul still standing. Art historian Christopher Gregg explores the history and the physical remains of sites, including the Amphitheater of the Three Gauls; a rare watermill; and a remarkably preserved cargo ship; as well as a variety of beautiful sculptures and mosaics. (World Art History Certificate elective, 1/2 credit)
Commissioned by Pope Julius II to paint the ceiling of the Sistine Chapel, Michelangelo used the most universal artistic language available—the human body in all its configurations. From the spark of life given to Adam and Eve to the Last Judgment, his frescoes blazed a path toward secularism despite the chapel’s religious themes. Art historian Liz Lev examines the evolution of the ceiling of the Sistine Chapel, a work so astounding it changed the course of Western art. (World Art History Certificate elective, 1/2 credit)
The late 18th century was a period rife with revolutionary fervor and transformative ideas that altered the course of history. The American Declaration of Independence, adopted in 1776, and the French Declaration of the Rights of Man and of the Citizen, ratified in 1789, were radical manifestos that proclaimed new principles of governance and human dignity and challenged centuries-old political and social structures. Historian Alexander Mikaberidze explores these groundbreaking documents and the individuals who dared to imagine a new order that ignited flames of liberty that spread throughout the world.
