The euro is the second–most-used currency worldwide. But the official adoption of this currency by 20 of the 27 European Union countries had a storied start as a currency without a state. Historian Christopher Brooks traces the euro’s evolution from the formation of the European Economic Community in 1957 to the creation of the eurozone in 1999. Brooks discusses the implementation of the euro, the advantages it brings to member states, its role in global finance, and its competition with the U.S. dollar.
The art of painting in 16th-century Venice was largely transformed by four great artists whose innovative approaches would shape the art of both their contemporaries and generations to come. In a lavishly illustrated seminar, art historian Sophia D’Addio of Columbia University explores the works of Giorgione, Titian, Tintoretto, and Veronese, highlighting their unique stylistic and compositional approaches, as well as the critical reception of their works. (World Art History Certificate elective, 1 credit)
The radical innovations made by European and American painters and sculptors between 1900 and 1960 forever altered the way we think about visual art. In a richly illustrated 5-session series, art historian Nancy G. Heller discusses major works by the period’s seminal painters and sculptors, emphasizing their broader socio-political and aesthetic contexts. (World Art History Certificate core course, 1 credit)
From the 8th to the 14th centuries, Andalusia—Spain under Muslim rule—flourished as an artistic, cultural, scientific, and intellectual hub for the Mediterranean world. Jewish, Christian, and Islamic artisans, translators, philosophers, architects, and scientists all contributed to a vibrant cultural exchange. Art historian Louisa Woodville discusses the region’s artistic legacy and this unique convergence of influences. (World Art History Certificate elective, 1/2 credit)
The British passed it off as an unhappy disturbance, but to city leaders the March 1770 confrontation with Redcoats that left five Bostonians dead was a horrid massacre. Historian Richard Bell examines why the complicated story of the “affray on King Street” is even more intriguing than Paul Revere’s famous engraving of it has led us to believe.
The Church of Santa Maria Glorioso dei Frari, commonly known as Frari’s Church or the Church of the Frari, is a minor basilica in Venice, Italy. It has an unassuming façade, but don’t let that fool you: The church contains splendors from over 500 years of Venetian history, including works by Titian, Donatello, and Bellini. Italian Renaissance art expert Rocky Ruggiero delves into the church and the treasures inside. (World Art History Certificate elective, 1/2 credit)
Situated between India, Persia, and the Greco-Roman world, the region of greater Gandhara (stretching through parts of modern-day Pakistan and Afghanistan) produced artwork that blended influences and ideas from many cultures. Art historian Robert DeCaroli examines the origins of the region’s material culture, explores the ways imperial and religious power were displayed, and traces the role of trade in the exchange of ideas. (World Art History Certificate core course, 1 credit)
Washington’s movers and shakers once strolled the streets of Dupont Circle, where Massachusetts Avenue was the city’s most fashionable residential address. Its opulent mansions designed to impress society were converted into embassies, social clubs, and offices after the Great Depression. Carolyn Muraskin of DC Design Tours offers stories of Washington’s premier promenade and examines the past and present of some of its most notable buildings.
