Men of Irish heritage played crucial roles in fighting the American Revolution. Their numbers included generals, thousands of enlisted men, and even spies—notably Hercules Mulligan, a major character in the musical Hamilton. Historian Richard Bell explores the Revolution from the perspective of the Irish and their descendants in America as he reconstructs the history of English and Irish antagonism; examines the role of Roman Catholic faith in decisions about loyalty and affiliation; and surveys the political and economic impact of the American Revolution on Ireland itself.
Unlike other great painters of 16th-century Venice such as Titian and Paolo Veronese, Jacopo Tintoretto was born and bred in the lagoon city. A considerable number of his works remain there to this day in the churches, confraternity buildings, and palaces for which they were commissioned. Art historian Sophia D’Addio of Columbia University explores a selection of Tintoretto’s dramatic and expressive sacred works located in such beautiful settings as the Church of the Madonna dell'Orto, the Scuola Grande di San Rocco, and San Giorgio Maggiore. (World Art History Certificate elective, 1/2 credit)
Nestled among bustling streets in the heart of Paris, the iconic Père Lachaise cemetery harbors stories of intrigue, fame, artistic brilliance, and cultural significance. Unravel the cemetery's secrets and celebrate its role as a sanctuary of memory and reflection with art historian Madeline Díaz, who explores why the 220-year-old Père Lachaise is not merely a resting place for the departed but a testament to Parisian history itself.
New York City in the early decades of the 20th century was a shaping force of America’s national culture. Cultural historian George Scheper explores the impact of the Progressive Era and the subsequent Jazz Age as reflected in the art, literature, and architecture created in the metropolis. (World Art History Certificate elective, 1/2 credit)
The late 18th century was a period rife with revolutionary fervor and transformative ideas that altered the course of history. The American Declaration of Independence, adopted in 1776, and the French Declaration of the Rights of Man and of the Citizen, ratified in 1789, were radical manifestos that proclaimed new principles of governance and human dignity and challenged centuries-old political and social structures. Historian Alexander Mikaberidze explores these groundbreaking documents and the individuals who dared to imagine a new order that ignited flames of liberty that spread throughout the world.
Commissioned by Pope Julius II to paint the ceiling of the Sistine Chapel, Michelangelo used the most universal artistic language available—the human body in all its configurations. From the spark of life given to Adam and Eve to the Last Judgment, his frescoes blazed a path toward secularism despite the chapel’s religious themes. Art historian Liz Lev examines the evolution of the ceiling of the Sistine Chapel, a work so astounding it changed the course of Western art. (World Art History Certificate elective, 1/2 credit)
Roman Gaul, the area of southern France that today includes Provence, is an important repository of Roman culture, with many works built in Gaul still standing. Art historian Christopher Gregg explores the history and the physical remains of sites, including the Amphitheater of the Three Gauls; a rare watermill; and a remarkably preserved cargo ship; as well as a variety of beautiful sculptures and mosaics. (World Art History Certificate elective, 1/2 credit)
Jackson Pollock revolutionized modern art with his pioneering style of Action Painting, creating expansive, nonfigurative webs of color that earned him the nickname "Jack the Dripper” and left an indelible mark on the art world. Art historian Janetta Rebold Benton delves into Pollock's life and enduring influence, exploring how he and his contemporaries challenged artistic conventions to open new avenues for abstraction and creative expression that continue to resonate in contemporary art. (World Art History Certificate elective, 1/2 credit)
