Self-Portrait, by Vincent Van Gogh, 1889, Musée d'Orsay
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The notion that a picture is worth a thousand words is meant to convey the power of imagery. But what of the power of words—if they are Hemingway’s musings on a work of art, Van Gogh’s personal letters, or Michelangelo’s thoughts on his life and art expressed in his poetry?
Explore the alchemy that occurs at the intersection of art and literature in this Sunday afternoon series with David Gariff, senior lecturer at the National Gallery of Art.
Session Information
Van Gogh: Artist and Writer
Vincent Van Gogh’s own words offer some of the deepest insights into his paintings. Letters written across almost two decades refer not only to specific paintings but also his views on art, life, religion, nature, and his aspirations as an artist.
Most of the letters refer to specific paintings including the Self-Portrait from 1889, La Mousmé (1888), the Night Café (1888), the Yellow House (1888) and Bedroom at Arles (1888). Their literary quality was recognized by readers such as the poet W.H. Auden. He published an anthology of the letters in which he wrote, “There is scarcely one letter by Van Gogh which I, who am certainly no expert, do not find fascinating.”
These documents provide complementary written descriptions and small sketches related to specific paintings; his thoughts on relationships with family, friends, and fellow artists; and poignant insights into his world.
Recommended reading: The Letters of Vincent van Gogh (Mark Roskill, editor), Atheneum
World Art History Certificate elective: Earn 1/2 credit*
Additional Sessions
If you are interested in additional series name sessions, see below:
Patron Information
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- View Common FAQs about our Streaming Programs on Zoom.
*Enrolled participants in the World Art History Certificate Program receive 1/2 elective credit. Not yet enrolled? Learn about the program, its benefits, and how to register here.
