Expressionism as an artistic movement developed in the early 20th century, a period in which new and influential explorations of psychology and human behavior were taking place. Artists began to look at the world more subjectively, often distorting its depictions to achieve an emotional effect in artworks that still hold a power to move and challenge viewers. Art historian Joseph Paul Cassar traces the movement’s roots, meaning, influences, and most notable practitioners. (World Art History Certificate core course, 1 credit)
The cultural and political upheavals of the 18th and 19th centuries are reflected in the diverse approaches that contemporary visual artists took toward their work and the codification of—and rebellion against—rules laid down by various royal academies of the fine arts. In a lavishly illustrated series, art historian Nancy G. Heller focuses on the principal European cultural movements of the 1700s and early 1800s—Rococo, Neoclassicism, Romanticism, and Realism—as reflected in paintings by masters of the period. (World Art History Certificate core course, 1 credit)
Situated between India, Persia, and the Greco-Roman world, the region of greater Gandhara (stretching through parts of modern-day Pakistan and Afghanistan) produced artwork that blended influences and ideas from many cultures. Art historian Robert DeCaroli examines the origins of the region’s material culture, explores the ways imperial and religious power were displayed, and traces the role of trade in the exchange of ideas. (World Art History Certificate core course, 1 credit)
The ability to derive meaning from what we see is an essential skill in a culture saturated with images. Once you understand this visual language, reading images, particularly art, is not only simpler but infinitely more gratifying. Using works from the history of art and from popular culture, art historian Nancy G. Heller focuses on how art communicates, how to analyze and interpret it, and how we can see it as a cultural product that reveals something about the society that produced it. (World Art History Certificate core course, 1 credit)
