Forgotten after the 17th century, Johannes Vermeer’s work was slowly rediscovered in France in the 1860s. Within years, some of his distinctive characteristics, including his taste for intimate, psychologically charged interiors and a sensitivity to light and color, found reflections in works by artists such as Whistler, Degas, and Vuillard—and later, Edward Hopper. Art historian Aneta Georgievska Shine examines the facets of the "Vermeer effect" among French painters, those in other parts of Europe, and in the United States. (World Art History Certificate elective, 1/2 credit)
Over the past 2,000 years, Samarkand—located in what is now Uzbekistan—has absorbed the wealth and labors of Sogdian merchants, Manichean priests, Islamic astronomers, Mongol khans, Timurid emperors, Russian czars, and Soviet officials, all of whom attempted to use the city as a base from which to conquer Central Asia. Historian Justin M. Jacobs analyzes the cultural achievements of each of these historical groups.
No art better exemplifies the Belle Époque than the lavish portraits of the rich, famous, and fashionable on both sides of the Atlantic created by John Singer Sargent. Art critic Judy Pomeranz presents an overview of Sargent’s range of work in the context of his time, as well as an examination of the stylistic and formal elements that set his paintings apart from those of his contemporaries and even successors. (World Art History Certificate elective, 1/2 credit)
The life of Eleanor of Aquitaine is the stuff of legend. But what’s true? Tudor and Renaissance scholar Carol Ann Lloyd-Stanger considers some of the stories—such as going on a Crusade dressed as an Amazon—that have grown from the real life of the ambitious and powerful woman who managed to become queen consort of England and France and shaped the reigns of two of England’s most famous kings: Richard the Lionheart and King John.
The works of metaphysical poet John Donne abound with highly unusual similes and metaphors, often from science, engineering, and cosmology. He wrote erotic (and often cynical) love poems as well as religious verse and prose, including what are regarded as the greatest sermons of his era. Humanities scholar Clay Jenkinson draws on and interprets Donne’s timeless poetry and prose as he discusses his life and achievements.
The Museo dell'Opera del Duomo, or Cathedral Museum, in Siena, Italy, houses works of art and architectural fragments that were formerly in, or a part of, the Duomo of Siena (Siena Cathedral). These include a number of Italian Gothic sculptures by Giovanni Pisano and his school from the façade of the cathedral; the Maestà of Duccio di Buoninsegna, which was the altarpiece for about 200 years; and works by Ambrogio and Pietro Lorenzetti. Italian Renaissance art expert Rocky Ruggiero highlights this lesser-known museum and its treasures. (World Art History Certificate elective, 1/2 credit)
At its peak, the Roman empire extended from Britain to the Sahara Desert, from the Atlantic Ocean to the Euphrates River. Yet in 476, the last western Roman emperor was deposed. In a 4-part series, historian David Gwynn analyzes the dramatic events which shaped the decline and fall of the Roman empire in the west, exploring the transformation from the ancient to the medieval world that laid the foundations for modern Europe. This session focuses on the fourth-century Roman empire.
As soon as television began in the late 1940s, advertising was a vital part of the picture. Media historian Brian Rose examines how advertising evolved during television’s first two decades and the important role it played in convincing viewers that the key to happiness was to buy their way into the American dream.
