The career of 15th-century painter Giovanni Bellini extended across a period that saw the introduction of new artistic mediums and technologies, including that of oil painting, which allowed him to achieve extraordinary effects in the rendering of color and light. Art historian Sophia D’Addio charts the development of Bellini’s style through works ranging from small devotional panels to majestic multi-figure altarpieces to narrative works that showcase lush, verdant landscapes—all of which are characterized by an air of refinement and serenity. (World Art History Certificate elective, 1/2 credit)

The Olmec culture on Mexico’s southern gulf coast, best known for creating colossal stone heads more than 3,000 years ago, produced other distinctive artworks in a variety of materials. It also has left some of the earliest evidence of urban planning in North America and of a system of numbering and of glyphic writing. Cultural historian George Scheper explores the archaeological and sculptural wonders of the Olmec, along with their role in shaping the culture of Mesoamerica.

Palaces were the residences of monarchs, but they were also buildings where the business of state was carried out. Within their walls intrigues, murders, love affairs, and deaths—the full pageant of British history—took place and royal magnificence was displayed. Siobhan Clarke, a guide for the independent charity Historic Royal Palaces, introduces the splendid corridors of royal power and pleasure through four significant sites: the Tower of London, Hampton Court Palace, the Banqueting House at Whitehall Palace, and Kensington Palace.

At its peak, the Roman empire extended from Britain to the Sahara Desert, from the Atlantic Ocean to the Euphrates River. Yet in 476, the last western Roman emperor was deposed. In a 4-part series, historian David Gwynn analyzes the dramatic events which shaped the decline and fall of the Roman empire in the west, exploring the transformation from the ancient to the medieval world that laid the foundations for modern Europe. This session focuses on fifth-century historical events.

Historian Sophia Rosenfeld explores how, between the 17th century and the present, the practice of making choices from menus of options came to shape many aspects of our existence, from consumer culture to human rights. Rosenfeld discusses the lives of women—who often have the fewest choices and who have frequently been the drivers of this change—as she examines how reproductive rights became a symbolic flashpoint in the contemporary struggles over the association of liberty with choice. She draws on sources ranging from the latest findings in economics and psychology to novels and restaurant menus.

The known trajectory of Jewish history begins in ancient Israel, continues through 2,000 years of Diaspora, and then reaches the two major events of the 20th century: the Holocaust and the establishment of the state of Israel. Within those years of Diaspora are little-known stories of Jewish communities that are well worth attention. Biblical scholar and historian Gary Rendsburg of Rutgers University leads a fascinating virtual tour across time and place to explore several of these surprising outposts including Hellenistic Egypt; Arabia; lands of the Roman and Holy Roman Empires; and medieval England.

The South of France, with its glorious light and varied vistas, has long been a magnet for plein-air painters. Art historian Bonita Billman investigates the inspiration that places like Avignon, Arles, Aix-en-Provence, St. Remy, St. Tropez, and Nice provided for the brilliantly colored works produced by 19th and early 20th-century painters. (World Art History Certificate elective, 1 credit)

The instantly recognizable moai statues of remote Easter Island, a UNESCO World Heritage Site, pay silent tribute to the extraordinary seafaring skills of Polynesian migrants and their stewardship of an ecologically fragile island. The rediscovery of Easter Island by Western explorers in the modern era has led to debates about how its original settlers reached such a distant location and carved and transported such large statues. Historian Justin M. Jacobs explains how these giant statues came to dominate the most remote inhabited island in the world.