For approximately five centuries during the second millennium B.C.E., the Egyptian city of Thebes served as the backdrop for the construction of a bewildering array of religious temples, memorial complexes, and royal tombs. Historian Justin M. Jacobs introduces the chief cultural, religious, and political themes of the monuments of ancient Thebes: the Karnak and Luxor temples of the East Bank, the memorial temples of the West Bank, and the necropolis in the Valley of the Kings.
The South of France, with its glorious light and varied vistas, has long been a magnet for plein-air painters. Art historian Bonita Billman investigates the inspiration that places like Avignon, Arles, Aix-en-Provence, St. Remy, St. Tropez, and Nice provided for the brilliantly colored works produced by 19th and early 20th-century painters. (World Art History Certificate elective, 1 credit)
Pablo Picasso reinvented himself every few years with groundbreaking creative developments that would change the course of art. In a 4-part series, art historian Joseph P. Cassar looks at Picasso’s early years, his Blue and the Rose periods, his masterpiece Guernica, and his lifetime of artistic experimentation and innovation marked by playfulness and genius. (World Art History Certificate elective, 1 credit)
Within a few years of the Norman Conquest of 1066, a beautiful and intricate tapestry appeared that documented in remarkable detail the events of the Battle of Hastings. Scholars still study the Bayeux Tapestry for its expansive cultural value in understanding the complexity of the Norman–Saxon transition that carried within it the seeds of the Hundred Years War three centuries later. Historian Cheryl White examines its lasting impact as a work of art and historical documentary and how the Bayeux Tapestry speaks to the identity of a people, a kingdom, and ultimately, the role of art in reinforcing the dominant view by which scholars interpret the past.
At its peak, the Roman empire extended from Britain to the Sahara Desert, from the Atlantic Ocean to the Euphrates River. Yet in 476, the last western Roman emperor was deposed. In a 4-part series, historian David Gwynn analyzes the dramatic events which shaped the decline and fall of the Roman empire in the west, exploring the transformation from the ancient to the medieval world that laid the foundations for modern Europe. This session focuses on the fourth-century Roman empire.
The last few decades have seen an explosion of interest in female painters, sculptors, architects, textile artists, and performance artists. Art historian Nancy G. Heller examines the progress made by women artists in Europe and the U.S. since the end of the Second World War. She discusses the relationship of art made by late 20th- and 21st-century women to the work of their male counterparts, placing it within a broader socioeconomic, political, and aesthetic context—and considers the obstacles that remain for women artists. (World Art History Certificate core course, 1 credit)
The career of 15th-century painter Giovanni Bellini extended across a period that saw the introduction of new artistic mediums and technologies, including that of oil painting, which allowed him to achieve extraordinary effects in the rendering of color and light. Art historian Sophia D’Addio charts the development of Bellini’s style through works ranging from small devotional panels to majestic multi-figure altarpieces to narrative works that showcase lush, verdant landscapes—all of which are characterized by an air of refinement and serenity. (World Art History Certificate elective, 1/2 credit)
This year marks the 250th birthday of Jane Austen, one of the most famous and best-loved English authors. The six novels she completed give us a window into her era and life, with the realities of poverty, illness, war, and death rumbling through. Historian and author Carol Ann Lloyd-Stanger leads a journey into Jane Austen’s world through the lens of her works and examines their ongoing relevance in the modern world.
