Created by the “heretic” Pharaoh Akhenaten as the center of the monotheistic cult of worship of a sun god called the Aten, the ancient city of Tell el-Amarna is one of the most exciting archaeological sites in the world. Its extraordinary level of preservation provides an unmatched window into the population’s daily life and religious practices. Egyptologist Jacquelyn Williamson, a senior member of the Tell el-Amarna archaeological team, examines the latest discoveries at the site.
The career of 15th-century painter Giovanni Bellini extended across a period that saw the introduction of new artistic mediums and technologies, including that of oil painting, which allowed him to achieve extraordinary effects in the rendering of color and light. Art historian Sophia D’Addio charts the development of Bellini’s style through works ranging from small devotional panels to majestic multi-figure altarpieces to narrative works that showcase lush, verdant landscapes—all of which are characterized by an air of refinement and serenity. (World Art History Certificate elective, 1/2 credit)
Artist Sandro Botticelli’s career flourished in the late 15th-century under the patronage of the Medici family, whose influence is woven throughout much of his work that blends classical themes with contemporary Florentine ideals. However, his trajectory was significantly impacted by the dramatic events of the day, notably the Bonfire of the Vanities, which saw countless artworks condemned as immoral and destroyed, marking a turning point in Botticelli's life and work. Art historian Elaine Ruffolo traces Botticelli’s remarkable journey from his early triumphs as a Medici favorite to his later years shaped by religious zeal and spiritual introspection. (World Art History Certificate elective, 1/2 credit)
At its peak, the Roman empire extended from Britain to the Sahara Desert, from the Atlantic Ocean to the Euphrates River. Yet in 476, the last western Roman emperor was deposed. In a 4-part series, historian David Gwynn analyzes the dramatic events which shaped the decline and fall of the Roman empire in the west, exploring the transformation from the ancient to the medieval world that laid the foundations for modern Europe. This session focuses on the impact of Goths, Huns, and Vandals.
The Godfather, parts 1 and 2, are often listed as among the greatest films of all time. Together with part 3, these films constitute a powerful cinematic trilogy that explores the myth of Italian American culture, the refashioning of the gangster film genre, and the influence of European auteur cinema on the Hollywood studio system. Joseph Luzzi, a literature professor at Bard College who also teaches courses on film and Italian studies, examines the cinematic techniques and themes that give the Godfather films their enduring appeal.
Palaces were the residences of monarchs, but they were also buildings where the business of state was carried out. Within their walls intrigues, murders, love affairs, and deaths—the full pageant of British history—took place and royal magnificence was displayed. Siobhan Clarke, a guide for the independent charity Historic Royal Palaces, introduces the splendid corridors of royal power and pleasure through four significant sites: the Tower of London, Hampton Court Palace, the Banqueting House at Whitehall Palace, and Kensington Palace.
The last few decades have seen an explosion of interest in female painters, sculptors, architects, textile artists, and performance artists. Art historian Nancy G. Heller examines the progress made by women artists in Europe and the U.S. since the end of the Second World War. She discusses the relationship of art made by late 20th- and 21st-century women to the work of their male counterparts, placing it within a broader socioeconomic, political, and aesthetic context—and considers the obstacles that remain for women artists. (World Art History Certificate core course, 1 credit)
Within a few years of the Norman Conquest of 1066, a beautiful and intricate tapestry appeared that documented in remarkable detail the events of the Battle of Hastings. Scholars still study the Bayeux Tapestry for its expansive cultural value in understanding the complexity of the Norman–Saxon transition that carried within it the seeds of the Hundred Years War three centuries later. Historian Cheryl White examines its lasting impact as a work of art and historical documentary and how the Bayeux Tapestry speaks to the identity of a people, a kingdom, and ultimately, the role of art in reinforcing the dominant view by which scholars interpret the past.