All upcoming World History programs

For centuries, dictionaries were works of almost superhuman endurance produced by people who devoted themselves for years, even decades, to the wearisome labor of corralling, recording, and defining the vocabulary of a language. Educators and authors Bryan A. Garner and Jack Lynch share the stories behind these great works of scholarship and the people who produced them, including towering figures of English lexicography such as Samuel Johnson, Noah Webster, and the Oxford English Dictionary’s James Murray, as well as more obscure dictionary makers whose achievements are no less fascinating.

June 6, 2024, will mark the 80th anniversary of the greatest amphibious operation in history: D-Day. Kevin Weddle, professor emeritus of military theory and strategy at the U.S. Army War College, traces the development, execution, and aftermath of the cross-channel invasion that signaled the beginning of the end of Nazi Germany.

“Brilliant Exiles: American Women in Paris, 1900–1939” at the Smithsonian’s National Portrait Gallery illuminates the accomplishments of 60 women who crossed the Atlantic to pursue personal and professional aspirations in the vibrant cultural milieu of Paris. Robyn Asleson, the gallery’s curator of prints and drawings, provides an overview of the first exhibition to focus on the impact of American women on Paris—and of Paris on American women­—as she discusses portraits of Josephine Baker, Isadora Duncan, Zelda Fitzgerald, Gertrude Stein, and Anna May Wong, among others. (World Art History Certificate elective, 1/2 credit)

Art historian Sophia D’Addio of Columbia University offers an introduction to the visual culture of Renaissance Italy from the 14th through 16th centuries in a five-part series of richly illustrated programs on varying types of images, objects, and structures. She examines some of the most influential and fascinating works of the period, exploring their formal innovations and the relationships between powerful patrons and skilled artists that resulted in their creation. (World Art History Certificate core course, 1 credit)

China has more than three thousand years of recorded history, but misconceptions abound at every stage. Historian Justin Jacobs clears up misinterpretations as he takes you on a thematic tour of four important topics in ancient Chinese history. Each lecture includes a rich, nuanced overview based on the latest scholarship and illustrated with copious slides. This session focuses on the maritime voyages of Zheng He.

As twilight settled in the ancient world, a host of activities began, some of which were significantly different from what was done during the day. Paleolithic archaeologist April Nowell reveals the people who worked the night shift in ancient societies: the hunters, sewage workers, poets, ironsmiths, rebellion leaders, and others. Drawing on archaeological data and textual evidence, she argues that night in the ancient world was anything but sleepy.

Impressionism ignited in the rolling green countryside of Normandy, France, where Claude Monet and other local artists developed this new way of painting, shocking many traditionalists. In a spring lecture series, travel writer Barbara Noe Kennedy takes you to visit the sites where Impressionism was born and evolved—including the exact places where well-known paintings were created. Maps, photos, videos, and other visuals accompany the journey through the countryside and the Paris area. This session focuses on the origins of Impressionism. (World Art History Certificate elective, 1/2 credit)

In the months leading up to D-Day, General Dwight D. Eisenhower projected optimism about the massive undertaking but was aware that failure was always a possibility. Author Michel Paradis examines how Eisenhower’s qualities as a leader shaped the strategic planning of Operation Overlord—which led to D-Day and the liberation of France—focusing on the six months preceding the mission when he grew from a widely respected general into one of the singular figures of American history.

At the end of 1177 B.C., many of the Late Bronze Age civilizations of the Aegean and Eastern Mediterranean lay in ruins, undone by invasion, revolt, natural disasters, famine, and the demise of international trade. The so-called First Dark Age had begun. Classicist and anthropologist Eric Cline, author of 1177 B.C.: The Year Civilization Collapsed, surveys this dramatic period and how the downfall of powerful civilizations created new circumstances, innovations, and opportunities to which people and societies had to adapt.

Impressionism ignited in the rolling green countryside of Normandy, France, where Claude Monet and other local artists developed this new way of painting, shocking many traditionalists. In a spring lecture series, travel writer Barbara Noe Kennedy takes you to visit the sites where Impressionism was born and evolved—including the exact places where well-known paintings were created. Maps, photos, videos, and other visuals accompany the journey through the countryside and the Paris area. This session focuses on the sites in and around Paris where Impressionist artists flourished. (World Art History Certificate elective, 1/2 credit)