For approximately five centuries during the second millennium B.C.E., the Egyptian city of Thebes served as the backdrop for the construction of a bewildering array of religious temples, memorial complexes, and royal tombs. Historian Justin M. Jacobs introduces the chief cultural, religious, and political themes of the monuments of ancient Thebes: the Karnak and Luxor temples of the East Bank, the memorial temples of the West Bank, and the necropolis in the Valley of the Kings.
The South of France, with its glorious light and varied vistas, has long been a magnet for plein-air painters. Art historian Bonita Billman investigates the inspiration that places like Avignon, Arles, Aix-en-Provence, St. Remy, St. Tropez, and Nice provided for the brilliantly colored works produced by 19th and early 20th-century painters. (World Art History Certificate elective, 1 credit)
The career of 15th-century painter Giovanni Bellini extended across a period that saw the introduction of new artistic mediums and technologies, including that of oil painting, which allowed him to achieve extraordinary effects in the rendering of color and light. Art historian Sophia D’Addio charts the development of Bellini’s style through works ranging from small devotional panels to majestic multi-figure altarpieces to narrative works that showcase lush, verdant landscapes—all of which are characterized by an air of refinement and serenity. (World Art History Certificate elective, 1/2 credit)
Forgotten after the 17th century, Johannes Vermeer’s work was slowly rediscovered in France in the 1860s. Within years, some of his distinctive characteristics, including his taste for intimate, psychologically charged interiors and a sensitivity to light and color, found reflections in works by artists such as Whistler, Degas, and Vuillard—and later, Edward Hopper. Art historian Aneta Georgievska Shine examines the facets of the "Vermeer effect" among French painters, those in other parts of Europe, and in the United States. (World Art History Certificate elective, 1/2 credit)
As soon as television began in the late 1940s, advertising was a vital part of the picture. Media historian Brian Rose examines how advertising evolved during television’s first two decades and the important role it played in convincing viewers that the key to happiness was to buy their way into the American dream.
The Easter Rising, an armed insurrection staged by a small group of Irish nationalists ended in total defeat, but nevertheless set in motion the events that eventually led to an independent—and partitioned— Ireland. Historian Jennifer Paxton explores the event’s origins in the upheavals of the 19th century and in the ongoing tensions between the majority Protestant north and the overwhelmingly Catholic south.
At its peak, the Roman empire extended from Britain to the Sahara Desert, from the Atlantic Ocean to the Euphrates River. Yet in 476, the last western Roman emperor was deposed. In a 4-part series, historian David Gwynn analyzes the dramatic events which shaped the decline and fall of the Roman empire in the west, exploring the transformation from the ancient to the medieval world that laid the foundations for modern Europe. This session focuses on the fourth-century Roman empire.
The real story of the American Revolution is more than the catalog of deeds by a handful of famous men. As a private in the Continental Army later put it: “Great men get praise; little men, nothing.” In a full-day seminar, historian Richard Bell explores the tumultuous years between 1775 and 1783 from the perspective of these “little men” by examining military recruitment; the wars on the home front and in Native American territory; the struggles of people of color; and the experiences of loyalists.
