The works of metaphysical poet John Donne abound with highly unusual similes and metaphors, often from science, engineering, and cosmology. He wrote erotic (and often cynical) love poems as well as religious verse and prose, including what are regarded as the greatest sermons of his era. Humanities scholar Clay Jenkinson draws on and interprets Donne’s timeless poetry and prose as he discusses his life and achievements.
Over the past 2,000 years, Samarkand—located in what is now Uzbekistan—has absorbed the wealth and labors of Sogdian merchants, Manichean priests, Islamic astronomers, Mongol khans, Timurid emperors, Russian czars, and Soviet officials, all of whom attempted to use the city as a base from which to conquer Central Asia. Historian Justin M. Jacobs analyzes the cultural achievements of each of these historical groups.
At its peak, the Roman empire extended from Britain to the Sahara Desert, from the Atlantic Ocean to the Euphrates River. Yet in 476, the last western Roman emperor was deposed. In a 4-part series, historian David Gwynn analyzes the dramatic events which shaped the decline and fall of the Roman empire in the west, exploring the transformation from the ancient to the medieval world that laid the foundations for modern Europe. This session focuses on the fourth-century Roman empire.
For approximately five centuries during the second millennium B.C.E., the Egyptian city of Thebes served as the backdrop for the construction of a bewildering array of religious temples, memorial complexes, and royal tombs. Historian Justin M. Jacobs introduces the chief cultural, religious, and political themes of the monuments of ancient Thebes: the Karnak and Luxor temples of the East Bank, the memorial temples of the West Bank, and the necropolis in the Valley of the Kings.
As soon as television began in the late 1940s, advertising was a vital part of the picture. Media historian Brian Rose examines how advertising evolved during television’s first two decades and the important role it played in convincing viewers that the key to happiness was to buy their way into the American dream.
During India’s colonial period (1757–1947), the British imperial system sought out Indian resources for exploitation and had a dramatic impact on the traditional arts and crafts of the subcontinent. Art historian Robert DeCaroli traces the rising influence of European powers in South Asia. Topics include the late art of the Mughal Empire, Company painting, Orientalism, photography, traditional crafts for domestic and foreign markets, Indo-Saracenic architecture, and colonial museums. (World Art History Certificate elective, 1 credit)
Over the past five years, the world has struggled to grapple with the realities of living with a global pandemic and its aftermath. COVID-19 has an historical precedent in the Black Death, the hemispheric pandemic that ravaged the 14th-century world. Medievalist Paul B. Sturtevant explores the people and societies who faced it, drawing parallels between the individual and collective experiences of people seven centuries apart.
No art better exemplifies the Belle Époque than the lavish portraits of the rich, famous, and fashionable on both sides of the Atlantic created by John Singer Sargent. Art critic Judy Pomeranz presents an overview of Sargent’s range of work in the context of his time, as well as an examination of the stylistic and formal elements that set his paintings apart from those of his contemporaries and even successors. (World Art History Certificate elective, 1/2 credit)
