Forgotten after the 17th century, Johannes Vermeer’s work was slowly rediscovered in France in the 1860s. Within years, some of his distinctive characteristics, including his taste for intimate, psychologically charged interiors and a sensitivity to light and color, found reflections in works by artists such as Whistler, Degas, and Vuillard—and later, Edward Hopper. Art historian Aneta Georgievska Shine examines the facets of the "Vermeer effect" among French painters, those in other parts of Europe, and in the United States. (World Art History Certificate elective, 1/2 credit)
Karl Gercens, Longwood Gardens’ conservatory manager, explores the world of container garden design, showcasing its wide range of opportunities for decorative container use and displays. He surveys container materials; the wealth of plants that thrive in varied conditions; and offers tips on watering, fertilization, and pest and disease prevention. Photos of displays at Longwood Gardens provide inspiration for your own container gardening adventure.
Overshadowed for many decades, women artists who made important contributions to the Abstract Expressionist movement are finally getting their due. Most notable were five painters whose work was featured in the groundbreaking Ninth Street Art Exhibition of 1951. Art historian Nancy G. Heller examines the art and lives of these “Ninth Street Women,” their relationships with their male counterparts, and the gender-related obstacles they had to overcome to claim their place in a changing art world. (World Art History Certificate elective, 1/2 credit)
Over the past 2,000 years, Samarkand—located in what is now Uzbekistan—has absorbed the wealth and labors of Sogdian merchants, Manichean priests, Islamic astronomers, Mongol khans, Timurid emperors, Russian czars, and Soviet officials, all of whom attempted to use the city as a base from which to conquer Central Asia. Historian Justin M. Jacobs analyzes the cultural achievements of each of these historical groups.
For approximately five centuries during the second millennium B.C.E., the Egyptian city of Thebes served as the backdrop for the construction of a bewildering array of religious temples, memorial complexes, and royal tombs. Historian Justin M. Jacobs introduces the chief cultural, religious, and political themes of the monuments of ancient Thebes: the Karnak and Luxor temples of the East Bank, the memorial temples of the West Bank, and the necropolis in the Valley of the Kings.
The Museo dell'Opera del Duomo, or Cathedral Museum, in Siena, Italy, houses works of art and architectural fragments that were formerly in, or a part of, the Duomo of Siena (Siena Cathedral). These include a number of Italian Gothic sculptures by Giovanni Pisano and his school from the façade of the cathedral; the Maestà of Duccio di Buoninsegna, which was the altarpiece for about 200 years; and works by Ambrogio and Pietro Lorenzetti. Italian Renaissance art expert Rocky Ruggiero highlights this lesser-known museum and its treasures. (World Art History Certificate elective, 1/2 credit)
The life of Eleanor of Aquitaine is the stuff of legend. But what’s true? Tudor and Renaissance scholar Carol Ann Lloyd-Stanger considers some of the stories—such as going on a Crusade dressed as an Amazon—that have grown from the real life of the ambitious and powerful woman who managed to become queen consort of England and France and shaped the reigns of two of England’s most famous kings: Richard the Lionheart and King John.
After months of contentious negotiations among American, British, and French delegates, the Treaty of Paris was signed in November 1783, formally ending the War for Independence and creating the United States of America. Historian Richard Bell examines the complex diplomatic evolution of one the most important founding documents in this country’s history—as well as the least well-known and the most misunderstood.
