The Church of Santa Maria Glorioso dei Frari, commonly known as Frari’s Church or the Church of the Frari, is a minor basilica in Venice, Italy. It has an unassuming façade, but don’t let that fool you: The church contains splendors from over 500 years of Venetian history, including works by Titian, Donatello, and Bellini. Italian Renaissance art expert Rocky Ruggiero delves into the church and the treasures inside. (World Art History Certificate elective, 1/2 credit)
The magnificent temple complex of Angkor Wat in Cambodia marks the rise of the Khmer Empire in Southeast Asia and its incorporation of Indic cultural influences into the architecture of one of the largest religious monuments in the world. Historian Justin M. Jacobs also explores how it became a center of Buddhist worship, a symbol of French imperial pretensions, and finally an icon of the modern Cambodian nation and a UNESCO World Heritage Site.
For nearly 400 years, a treasure lay buried under a London street. Accidentally unearthed in 1912, this dazzling collection of precious jewels and luxury objects, most likely the stock of a goldsmith in Cheapside, is a time capsule that reveals how the rich and powerful of Renaissance England moved through society. Tudor scholar and historian Carol Ann Lloyd-Stanger examines the discovery—and the mysteries—of what is now known as the Cheapside Hoard.
In 1664, England decided to invade the Dutch-controlled city of New Amsterdam on Manhattan Island in New Netherland. The British had dreams of empire, and the Dutch were in the way. But Richard Nicolls, the military officer who led the English flotilla, changed his strategy once he encountered Peter Stuyvesant, New Netherland’s canny director general. Drawing on his new book, Taking Manhattan, author Russell Shorto reveals the founding of New York to be the result of creative negotiations that blended the multiethnic, capitalistic society of New Amsterdam with the power of the rising English empire.
Situated between India, Persia, and the Greco-Roman world, the region of greater Gandhara (stretching through parts of modern-day Pakistan and Afghanistan) produced artwork that blended influences and ideas from many cultures. Art historian Robert DeCaroli examines the origins of the region’s material culture, explores the ways imperial and religious power were displayed, and traces the role of trade in the exchange of ideas. (World Art History Certificate core course, 1 credit)
The radical innovations made by European and American painters and sculptors between 1900 and 1960 forever altered the way we think about visual art. In a richly illustrated 5-session series, art historian Nancy G. Heller discusses major works by the period’s seminal painters and sculptors, emphasizing their broader socio-political and aesthetic contexts. (World Art History Certificate core course, 1 credit)
From its start in the early 1950s, the talk show has been one of television’s most durable formats. Pioneering programs like “Today,” “Person-to-Person,” and “Tonight” established the basic features that have guided the format, later embraced by Oprah Winfrey, David Letterman, and Jon Stewart, among others. Media historian Brian Rose looks at the history of the television talk show and examines its changing appeal.
The stone statues in Bamiyan, Afghanistan, were the largest representations of standing Buddhas in the world until their destruction by the Taliban in 2001. Historian Justin M. Jacobs delves into the history of the Bamiyan Buddhas, their construction and original purpose and function, and how they exemplified Buddhist civilization in Central Asia. He also examines their complex and surprising relationship with successive Muslim rulers of Afghanistan.
