Artists use their palette as a vehicle for expressing their creative vision—and behind every great painting there’s a palette that tells its story. Art historian and author Alexandra Loske explores this symbiotic relationship, pairing the palettes of artists including Seurat, Rembrandt, and van Gogh with their masterpieces, revealing a fascinating aspect of the creator behind the canvas. (World Art History Certificate elective, 1/2 credit)
Less famous than their Tudor cousins, the Stuart monarchs survived a plot to blow up the government and the only governmental execution of an anointed king in English history to restructure the nature of the monarchy and eventually join England and Scotland into a new nation. Historian Carol Ann Lloyd-Stanger examines how four generations of Stuart monarchs—from James I to Queen Anne—led the country from the personal monarchy of the Tudors into the constitutional monarchy and the establishment of Great Britain.
Art superstars Mary Cassatt, Georgia O’Keeffe, and Frida Kahlo didn’t evolve within a vacuum. They descended from centuries of celebrated women artists—as well as those whose names were lost. Art historian Nancy G. Heller traces the history of European and American women artists from the late 16th century to 1950, addressing the socioeconomic, political, and aesthetic significance of their work and placing their lives and art within the context of their male contemporaries. (World Art History Certificate core course, 1 credit)
Commissioned by Pope Julius II to paint the ceiling of the Sistine Chapel, Michelangelo used the most universal artistic language available—the human body in all its configurations. From the spark of life given to Adam and Eve to the Last Judgment, his frescoes blazed a path toward secularism despite the chapel’s religious themes. Art historian Liz Lev examines the evolution of the ceiling of the Sistine Chapel, a work so astounding it changed the course of Western art. (World Art History Certificate elective, 1/2 credit)
When the doors of Radio City Music Hall opened in 1932, New Yorkers entered a new world: a dazzling Art Deco fantasy of an entertainment palace far removed from the drab realities of the Great Depression. With its Hollywood films and lavish stage shows, “The Showplace of the Nation” has given generations of audiences a place to escape from the everyday and dream. Actor Tim Dolan surveys the history of this iconic theater, sharing its stories, secrets, traditions, and trivia.
When classicist Michael Ventris deciphered the Linear B script in 1952, he shed light on our understanding of the politics, economy, society, and religion of the world of Late Bronze Age Greece, sometimes referred to as "Mycenaean." Classicist and archaeologist Dimitri Nakassis examines what this writing system and a second still-undeciphered “Minoan” script, Linear A, can tell us about life in the Aegean during the second millennium B.C.E.
After teenagers responded with wild enthusiasm to hearing “Rock Around the Clock” in Blackboard Jungle in 1955, Hollywood began to recognize the power of the teen audience. A flood of films featuring musicians performing rock and R&B hits and plots about rebellious high schoolers, daredevil hot-rodders, and antics-prone college students followed. Media historian Brian Rose looks at rock movies’ first decade and how Hollywood benefited from the power of the music and its target audience.
Roman Gaul, the area of southern France that today includes Provence, is an important repository of Roman culture, with many works built in Gaul still standing. Art historian Christopher Gregg explores the history and the physical remains of sites, including the Amphitheater of the Three Gauls; a rare watermill; and a remarkably preserved cargo ship; as well as a variety of beautiful sculptures and mosaics. (World Art History Certificate elective, 1/2 credit)
