He was an uncompromising modernist, a great chronicler of the American South, and an inspiration—as well as immovable obstacle—for the generations of writers who followed. William Faulkner (1897–1962) stands as one of the greatest, and one of the most problematic figures in American literature.
Faulkner was Mississippi-born—a white man of his time and place who did not always rise above it. Yet his work also provides a burning account of the intersection of race, region, and remembrance: a probing analysis of a past that we have never yet put behind us. He set almost all his work in what he called an “apocryphal” territory, the imaginary Yoknapatawpha County in northern Mississippi. He carried characters and plot lines over from one book to another, as if the land itself were sprouting a story in which everything and everyone was connected.
Michael Gorra, professor of English language and literature at Smith College and author of The Saddest Words: William Faulkner’s Civil War, focuses on Faulkner’s greatest novels. (It is suggested participants read each book before each program.)
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Light in August (1932) offers one of Faulkner’s most unforgettable characters, a man named Joe Christmas caught at the intersection of the South’s racial and religious turmoil.
Additional Sessions of the Reading Faulkner Series
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