Clockwise: "Watson and the Shark" by John Singleton Copley, 1778 (National Gallery of Art); Shaw Memorial by Augustus Saint-Gaudens (Photo: Paul Glenshaw); Auguste Rodin’s The Burghers of Calais,
(Hirshhorn Museum and Sculpture Garden ( Hirshhorn Museum and Sculpture Garden: “150 Works of Art” (1996) by Valerie Fletcher); "The Railway", 1873 by Edouard Manet (National Gallery of Art)
Save when you purchase the Art + History: Evening Encores series!
If you’ve not experienced Paul Glenshaw’s daytime series Art + History, in which he examines great works of art in their historical context, now’s your chance. He reprises four of his most popular lectures in livestreamed evening programs through July and August. In each, he delves into the time of the artist, explores the present they inhabited, and what shaped their vision and creations, bringing the art and their creators to vivid life. Even if you’ve taken part in previous programs, you’ll find new insights in joining Glenshaw for another look at these timeless works.
The Railway by Edouard Manet
A young woman stares out from the canvas, seated on a ledge in front of an iron rail. A puppy sits on her lap. A young girl next to her faces the opposite direction, seemingly staring at a huge cloud of water vapor from a passing train in the rail yard below. When The Railway was first seen, Manet had once again presented high-minded Parisians with a truly modern scene of an everyday passing moment. Why were his works such radical departures in French painting? What did this scene represent, only three years after the disastrous Franco-Prussian War of 1870? Glenshaw returns to northwest Paris and the Gare Saint-Lazare to explore Manet’s city and its changing times.
Glenshaw is an artist, educator, author, and filmmaker with more than 30 years' experience working across disciplines in the arts, history, and sciences.
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