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Smithsonian Associates - Entertaining, Informative, Eclectic, Insightful

Supernatural Classics Course and Concert Package - CANCELED

3-Session Daytime Course on Zoom and Evening Simulcast Concert

Course: Thursday, October 13 to 27, 2022 - 12:00 p.m. to 2:00 p.m. ET

Concert: Friday, October 28, 2022 - 6:45 p.m. to 8:00 p.m. ET
Code: 1K0311
Tickets
 $90 Online Course & Concert - Member
 $90 Online Course + In-Person Concert - Member
 $95 Online Course & Concert - Non-Member
 $95 Online Course + In-Person Concert - Non-Member
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Important Status Update: This package option is unavailable due to the concert component being canceled.

Please Note: The online course is available for individual purchase.

Course Information

Supernatural Classics: Musical Magic, Ghouls, and Ghosts
Online on Zoom (No in-person option)

What do Dukas’s The Sorcerer’s Apprentice, Mozart’s Don Giovanni, Ravel’s Gaspard de la Nuit, Orff’s Carmina Burana, and Berlioz’s Symphonie Fantastique have in common? All are deliciously spooky excursions into the musical supernatural, eternally popular with classical audiences eager to experience a good scare within the relative safety of respectable art music.

The febrile world of enchantment and witchery has always appealed to composers, and the range of works featuring spectral creatures, ghost ships, demonic valets, trolls, devils, and necromancers is vast.

In the perfect run up to Halloween, popular speaker and concert pianist Rachel Franklin leads a hair-raising tour of some of the best-loved classical music haunts, showcasing works by Mozart, Mussorgsky, Berlioz, Dukas, Liszt, Britten, Schubert, Wagner, Ravel, Humperdinck, Offenbach, Saint-Saens, Mahler, and many others.

British-born Franklin has been a featured speaker for organizations including the Library of Congress and NPR, exploring intersections among classical and jazz music, film scores, and the fine arts.

October 13  The Soloist as Sorcerer

During the 19th century and beyond, artists became increasingly fascinated by any topic connected to the paranormal, and legendary performer-composers were no exception. Liszt’s and Paganini’s instrumental skills were so extraordinary that some believed they were in league with the devil, and both enjoyed writing music that spooked their audiences. Franklin summons up Liszt’s Totentanz and Mephisto Waltz, Paganini’s Caprices, and unsettling masterpieces from Ravel, Schubert, Debussy, and Stravinsky.

October 20  The Haunted Concert Hall

Who needs creepy movies when symphonic music can frighten the life out of us? From the bizarre to the bloodcurdling, composers have relished the opportunity to conjure witchcraft and magic with the symphony orchestra. Other-worldly works by Berlioz, Mussorgsky, Mahler, Dukas, Saint-Saëns, Dvorák, and Rachmaninoff will materialize.

October 27  Operatic Occult

Experience a chillingly intimate encounter with some of our favorite ghouls and ghosts from the operatic underworld. Selections include excerpts from Mozart’s Don Giovanni, Benjamin Britten’s The Turn of the Screw, Offenbach’s Orpheus in the Underworld, Humperdinck’s Hänsel und Gretel, Wagner’s Der fliegende Holländer, and more.

Concert Information - CANCELED

Supernatural Classics Concert: Tales for Halloween
In-Person at the Ripley Center and Online on Zoom (CANCELED)

Just in time for Halloween, enjoy a thrills- and chills-packed lecture-recital from the chamber music ensemble SONOS. With award-winning musicians led by pianist Rachel Franklin and featuring violinist Christian Tremblay and fretless bass player Jonathan Miles Brown, the ensemble’s programs explore the cross-pollination between musical art forms, with compelling stories of how these cultures intersect. Musical selections are woven together in a uniquely intimate style by absorbing commentary and storytelling, plus illustrative visuals.

In their Smithsonian debut program, the players explore what constitutes “scary” music, trace the haunting influence of literary and historic sources on the Gothic, and take a playful look at the eternal fascination musicians have for the supernatural.

Works include Tartini’s “Devil’s Trill,” De Falla’s “El Amor Brujo,” and a spine-tingling arrangement of Saint-Saëns’ “Danse Macabre,” as well as some devilishly delicious jazz and folk selections.

For in-person concert attendees: Light refreshments will be served following the concert in the Ripley Center.

3-session course + evening concert

Photo caption (upper right): Rachel Franklin