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Smithsonian Associates speaker Paul Glenshaw returns to the Art + History series to look at great works of art in their historical context. This majestic landscape, created in 1868, is Bierstadt’s personal expression of his joyful first sight of the Sierra Nevada and a scene he thoroughly invented. The painting, along with Bierstadt’s many similar works, was a powerful lure for immigrants and settlers drawn by the promise of the American West, yet it also reveals the complicated legacy of Manifest Destiny. (World Art History Certificate elective, 1/2 credit)
René Lalique, the daring jeweler of Belle Époque Paris, revolutionized adornment by rejecting gemstone traditions and blending metals with enamel, horn, glass, and semi-precious stones. His nature-inspired creations—dragonflies, orchids, and nymphs—elevated jewelry to fine art, embodying Art Nouveau’s union of art and life. Collaborating with Sarah Bernhardt and elite patrons, Lalique gained acclaim at the 1900 Paris Exposition. Art historian Tosca Ruggieri’s illustrated lecture explores his evolution, techniques, patrons, and rarely seen masterpieces. (World Art History Certificate elective, 1/2 credit)
The recent canonization of Carlo Acutis, who died in 2006 at age 15, demonstrates that the desire to venerate holy people is undimmed in the contemporary Catholic Church, says historian Kate E. Bush. She explores how saints have been made through the centuries, detailing how Catholicism moved from accepting saints by popular acclamation to papal canonization. Even today, though, the devotion of everyday people is the main ingredient needed to make a saint, Bush argues.
The picture-perfect snowcapped cone of Mount Fuji has attracted Japanese artists and pilgrims for more than a thousand years. Historian Justin M. Jacobs examines the history of human influences on this dormant volcano and its dynamic—and symbolic—role in Japanese history, including the elaborate network of Shinto and Buddhist shrines that that have drawn countless pilgrims from far away.
Pull out your sketchbook and pencil to take an artful break as you explore the Smithsonian while drawing objects from vast and fascinating collections.
Through the story of a pebble, paleobiologist Jan Zalasiewicz illuminates a complex history that begins in the farthest reaches of space and continues on Earth with volcanic eruptions, extinct animals and plants, long-vanished oceans, and transformations deep underground. The pebble’s story shows how geologists reveal the Earth’s past by forensic analysis of even the tiniest amounts of mineral matter crammed into a pebble.
Colored pencil, an often-overlooked dry medium, is coming into its own. Whether used in fine art or illustration, they can enliven work with rich, vibrant color and a dizzying range of effects. Learn basic to intermediate methods and strategies.
Among President Franklin D. Roosevelt’s New Deal initiatives was the Federal Art Project, which offered a crucial source of income and creative purpose for thousands of artists at a time when galleries were shuttered and patrons scarce. At its peak, the program employed over 5,300 artists. Art historian Nancy Elizabeth Green explores the enduring legacy of the Federal Art Project, illuminating how art and government together helped to lift the spirits of a nation during one of its darkest times. (World Art History Certificate elective, 1/2 credit)
Historian Alexander Mikaberidze looks beyond the caricature of the frivolous queen to rediscover Marie Antoinette as a complex political actor—a woman negotiating power, motherhood, and identity in an age of revolution. Drawing on art, private correspondence, and contemporary accounts, he re-examines how Marie Antoinette’s image was constructed, weaponized, and ultimately transformed from royal scapegoat to enduring cultural icon.
The American War of Independence freed the 13 British colonies in North America from Crown rule and set the stage for the United States’ bold experiment in self-government. Drawing on primary sources, historian Christopher Hamner traces the war from its roots in the crises of the 1770s through the opening campaigns of the conflict, culminating in the American victories at Trenton and Princeton and an examination of British strategy in a springtime series. This session focuses on Dunmore's Proclamation of November 1775.
