Programs

Frank Lloyd Wright left an indelible signature on the American Midwest: a legacy of buildings that trace the arc of his career as one of world’s most significant and innovative architects. A 5-day tour led by Bill Keene, a lecturer in urban studies and architecture, offers a one-of-kind opportunity for a close-up look at a wide range of Wright’s designs in Illinois and Wisconsin, as well as visits to seminal works by other architects of the early and mid-20th century. (World Art History Certificate elective, 1 credit)

The New Deal art projects were created to provide financial relief to artists in the form of employment during the Depression. By design, the Federal Art Project (FAP) was intended to be race-blind, so many Black artists hoped these programs would redress their chronic disadvantages. Art historian Mary Ann Calo argues that although FAP administrators sought to address the needs of the Black artistic community, the impact was undermined by their unwillingness to address the consequences of institutional discrimination and systemic racism. (World Art History Certificate elective, 1/2 credit)

Watching television used to be a fairly simple enterprise: You turned on the set, selected one of 500 channels, and enjoyed your program. Now, more and more viewers are canceling cable television, preferring to watch online-only channels. An entire generation of younger viewers has given up on the TV set in favor of their laptops and phones. Drawing on video clips, media historian Brian Rose explains why the old days of simply “watching TV” are fast disappearing.

At Hollywood’s height, Joan Crawford and Bette Davis reigned supreme among leading ladies. Though similar, they differed in their approaches to acting and in the types of roles they chose. In a spring series, film historian Max Alvarez leads a gloriously melodramatic journey through the volatile lives and unforgettable careers of two extraordinary stars. Fasten your seat belts, it’s going to be a bumpy night—or two. This session focuses on Bette Davis.

The last 30 years have seen an abundance of striking archaeological discoveries in Rome and Pompeii. C. Brian Rose, a professor of Mediterranean archaeology at the University of Pennsylvania, examines how the appearance of these cities changed during the Republic and early Empire and how their residents prepared for religious festivals, dinner parties, and gladiatorial games. He also reviews how the explorations of Pompeii and nearby Herculaneum have had a lasting impact on European and American culture.

Pointillism, the painting form based on tiny dots of color used by Georges Seurat and Paul Signac, found only a few followers because of its slow and fastidious method of precision work. It was, however, embraced at times by painters including the Cubists, Matisse, and contemporary artists such as Chuck Close. Art historian Joseph P. Cassar surveys the development of Pointillism as a technique and artistic movement. (World Art History Certificate elective, 1/2 credit)

In the decades preceding World War II, professional architecture schools enrolled increasing numbers of women, but career success did not come easily. Architectural historians Mary Anne Hunting and Kevin D. Murphy tell the stories of the resilient, resourceful women who surmounted barriers of sexism, racism, and classism to take on crucial roles in the establishment and growth of Modernism across the United States.

The Olmec culture on Mexico’s southern gulf coast, best known for creating colossal stone heads more than 3,000 years ago, produced other distinctive artworks in a variety of materials. It also has left some of the earliest evidence of urban planning in North America and of a system of numbering and of glyphic writing. Cultural historian George Scheper explores the archaeological and sculptural wonders of the Olmec, along with their role in shaping the culture of Mesoamerica.

Historian Michael Vorenberg examines the complex aftermath of the Civil War, challenging the assumption that the conflict concluded with Lee’s surrender. He surveys the bloody and turbulent period following Appomattox—characterized by guerrilla warfare, insurgency, political upheaval, and the evolving meaning of freedom. He concludes that the peace Lincoln envisioned required many endings, the most significant of which came well over a year after his death.

Two thousand years ago in northern India, artisans fabricated beautiful diminutive terracotta female figurines in great abundance, sculptors carved colossal stone deities they called yakshas (male) and yakshis (female), and Buddhists began to decorate the burial mounds holding the relics of their founding teachers with exuberant narrative and symbolic sculptures. Richard Davis, a professor emeritus of religion, delves into the world of the flourishing popular religious cultures of India in the centuries from 200 B.C.E. to the year 100.