Cabinet, 1904, designed by Stickley Brothers (The Met)
“Have nothing in your house that you do not know to be useful or believe to be beautiful.” —William Morris
The Arts and Crafts Movement was a dominant influence in visual and decorative arts and architecture in the decades leading up to and after the turn of the 20th century. Growing out of the Pre-Raphaelite Brotherhood and Aesthetic movements in England, it offered an artistic and philosophical reaction to the florid, overdecorated, and industrialized designs of the high-Victorian era.
William Morris’s pronouncements on beauty, utility, nature, and the joy of handcraftsmanship guided the movement’s artists. Rejecting machine work as deadening to workers and mass-produced commercial goods as aesthetically inferior, Morris revived many craft arts such as tapestry and bookmaking. Across the Atlantic, the Arts and Crafts philosophy challenged the opulence and crassness of America’s Gilded Age. Morris’s principles were interpreted in the Craftsman, Roycroft, and Mission styles, among others, and influenced a new generation of creators. Art historian Bonita Billman explores the rich flowering and legacy of a movement whose influence is still felt.
Billman, an independent lecturer, is retired from the department of art and art history at Georgetown University.
The British Arts and Crafts Movement
10–11:30 a.m. William Morris and the Movement’s Origins
11:45 a.m.–1 p.m. Morris’s Influence on Successors: Ashbee, Voysey, Webb
1–1:30 p.m. Break
The American Arts and Crafts Movement
1:30–2:45 p.m. Gustav Stickley; Greene and Greene; the Bungalow Style; Frank Lloyd Wright
3–4 p.m. Roycroft and Byrdcliffe; Maria Longworth Nichols and the Rise of American Art Pottery
World Art History Certificate elective: Earn 1 credit*
General Information
*Enrolled participants in the World Art History Certificate Program receive 1 elective credit. Not yet enrolled? Learn about the program, its benefits, and how to register here.
