Shakespeare’s history plays are criticized by many today for their “unfair” or “non-historical” portrayals of some of England’s most famous figures. In a day-long seminar Tudor historian Carol Ann Lloyd-Stanger dives into the world of the Henrys, Richards, and other rulers to examine these plays’ intent; how their author used English history and his imagination to tell stories that met his political and economic goals; and the ways these works continue to affect our understanding of history.
Two thousand years ago in northern India, artisans fabricated beautiful diminutive terracotta female figurines in great abundance, sculptors carved colossal stone deities they called yakshas (male) and yakshis (female), and Buddhists began to decorate the burial mounds holding the relics of their founding teachers with exuberant narrative and symbolic sculptures. Richard Davis, a professor emeritus of religion, delves into the world of the flourishing popular religious cultures of India in the centuries from 200 B.C.E. to the year 100.
At Hollywood’s height, Joan Crawford and Bette Davis reigned supreme among leading ladies. Though similar, they differed in their approaches to acting and in the types of roles they chose. In a spring series, film historian Max Alvarez leads a gloriously melodramatic journey through the volatile lives and unforgettable careers of two extraordinary stars. Fasten your seat belts, it’s going to be a bumpy night—or two. This session focuses on Bette Davis.
Whether deciding on lunch or a career, changing our routines or other people’s minds, it can feel difficult to make the decisions that align with the things we care about. Neuroscientist Emily Falk, author of What We Value: The Neuroscience of Choice and Change, explains how we can work strategically with our brains to make more fulfilling choices by connecting our decisions with our core values, which can make us less defensive, broaden our curiosity through different perspectives, and spark innovation.
Utagawa Kuniyoshi is one of the most creative print designers of the Edo period in Japan. He is known for his imaginative responses—including bizarre monstrous figures—to the censorship restrictions imposed by the military government. Kit Brooks, curator of Asian art at the Princeton University Art Museum, explores Kuniyoshi’s works and why they are so striking. (World Art History Certificate elective, 1/2 credit)
Pointillism, the painting form based on tiny dots of color used by Georges Seurat and Paul Signac, found only a few followers because of its slow and fastidious method of precision work. It was, however, embraced at times by painters including the Cubists, Matisse, and contemporary artists such as Chuck Close. Art historian Joseph P. Cassar surveys the development of Pointillism as a technique and artistic movement. (World Art History Certificate elective, 1/2 credit)
The figure of David has long captivated artists and audiences, embodying faith, heroism, and the potential of the human spirit. From the Middle Ages to the Baroque era, his image undergoes a fascinating transformation—from symbolic, stylized depictions to a dynamic, humanized hero. Art historian Elaine Ruffolo examines key works by masters such as Donatello, Michelangelo, and Bernini, showcasing how each reimagines David and reflects centuries of artistic innovation and cultural change. (World Art History Certificate elective, 1/2 credit)
The last 30 years have seen an abundance of striking archaeological discoveries in Rome and Pompeii. C. Brian Rose, a professor of Mediterranean archaeology at the University of Pennsylvania, examines how the appearance of these cities changed during the Republic and early Empire and how their residents prepared for religious festivals, dinner parties, and gladiatorial games. He also reviews how the explorations of Pompeii and nearby Herculaneum have had a lasting impact on European and American culture.
