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Seductive Paris: American Painters in the City of Light, 1855–1920

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All-Day Program

Full Day Lecture/Seminar

Saturday, November 5, 2016 - 9:30 a.m. to 4:15 p.m. ET
Code: 1M2868
Location:
S. Dillon Ripley Center
1100 Jefferson Dr SW
Metro: Smithsonian (Mall exit)
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$90
Member
$140
Non-Member
The Cup of Tea, ca. 1881, by Mary Cassatt

In the late 19th century, Paris was the only place to be for any self-respecting, aspiring American artist. The city beckoned young painters like Whistler and Sargent to study with masters like Gerome, Cabanel, Bonnat, and Bouguereau. It was a heady time to be an artist and a generation of American painters took full advantage. The American art world was never the same. 

Art historian Bonita Billman highlights Paris’s ascension as the center of the art world, the French atelier system, and the masters who trained American artists. They returned home filled with new, creative ideas they shared with their fellow artists and students.

9:30–10:45 a.m.  French Teachers and American Students

Some French academic painters were popular with American art students for their willingness to share their ideas and techniques, including Carolus-Duran and Jean-Leon Gerome.  A few American artists resisted the French influence on their work while others embraced it.

11 a.m.–12:15 p.m.  Summers in the Country: American Painters in Brittany and Normandy

The American artists in Pont-Aven focused on painting genre scenes of the local peasantry; those working in Giverny embraced the light Monet used so beautifully in his impressionist paintings.

12:15–1:30 p.m.  Lunch (participants provide their own).

1:30–2:45 p.m.  Domestic Bliss: Painters of Genre Scenes

Expatriates Mary Cassatt, Lilla Cabot Perry, and Cecilia Beaux, among others, were inspired to paint scenes of everyday life and domestic interiors. Children, flowers, and quotidian task are frequent themes in their work. 

3–4:15 p.m.  Impressionism in America

Childe Hassam, Theodore Robinson, Robert Henri, and other artists helped to popularize the new impressionist style in this country. Expatriate painters John Singer Sargent, Mary Cassatt, and James Whistler encouraged American collectors to buy impressionist paintings.

Billman is an instructor in art history at the Georgetown University School of Summer and Continuing Studies.

World Art History Certificate elective: Earn 1 credit

America's Gilded Age